A Quote by Thiagarajan Kumararaja

The 'Mahabharata' is the best story ever. It makes you believe that impossible things can be made possible. There is magical realism. — © Thiagarajan Kumararaja
The 'Mahabharata' is the best story ever. It makes you believe that impossible things can be made possible. There is magical realism.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
The Americans only like things they can label, even if it kills them. Think of those poor Latin American writers. Some of them are very good. But the "magical realism" label has absolutely ruined them. The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
I don’t know how people pray who don’t believe in the sovereignty of God to do the impossible. Because all the things I want to happen are impossible. If they’re possible I’ll do them.
God makes the impossible possible. I believe in Him.
I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.
Magical realism is a blending of the unusual or supernatural into an otherwise ordinary setting. And, to me, this perfectly describes the South. 'The Sugar Queen' involves a lot of magical happenings, but in a very down-home Southern setting. It's full of things that could almost be true.
At the end of the day, it's about the reader's attachment to and belief in the magical elements that make or break magical realism.
When you start out on a career in the arts you have no idea what you are doing. This is great. People who know what they are doing know the rules, and know what is possible and impossible. You do not. And you should not. The rules on what is possible and impossible in the arts were made by people who had not tested the bounds of the possible by going beyond them. And you can. If you don't know it's impossible it's easier to do. And because nobody's done it before, they haven't made up rules to stop anyone doing that again, yet.
In this sense, science, as physicist Steven Weinberg has emphasized, does not make it impossible to believe in God, but rather makes it possible to not believe in God.
Science doesn't make it impossible to believe in God, it just makes it possible not to believe in God
I chose as the campaign logo a blue rose, which means 'make possible the impossible.' I think the British with Brexit, then the Americans with the election of Donald Trump, did that: They made possible the impossible.
I believe in magical things happening and spiritual goings on. Sometimes the most mundane things can surprise you and be magical.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
I love 'Exit West' by Mohsin Hamid. It's a magical realism retelling of the refugee experience, where people find these magical doors that transport them to another country.
In 'Min Kamp,' I wanted to see how far it was possible to take realism before it would be impossible to read.
You can believe in Fung Shui if you want, but ultimately people control their own fate. The most important thing is to improve yourself and give it your best. Then many things previously thought to be impossible will become possible.
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