A Quote by Tim Winton

Life is wild by definition. And organic existence is violent. Though I find this hard to accept. And I know it goes against the cultural grain of therapeutic smoothing so dominant in what we like to call 'cultural discourse'.
I'm a cultural Christian in the same way many of my friends call themselves cultural Jews or cultural Muslims.
Cultural conditioning is like bad software. Over and over it's diddled with and re-written so that it can just run on the next attempt. But there is cultural hardware, and it's that cultural hardware, otherwise known as authentic being, that we are propelled toward by the example of the shaman and the techniques of the shaman. ... Shamanism therefore is a call to authenticity.
The main problem with cultural appropriation comes from dominant groups 'borrowing' from marginalized groups who face oppression or have been stigmatized for their cultural practices throughout history.
The violent illiteracies of the graffiti, the clenched silence of the adolescent, the nonsense cries from the stage-happening, are resolutely strategic. The insurgent and the freak-out have broken off discourse with a cultural system which they despise as a cruel, antiquated fraud. They will not bandy words with it. Accept, even momentarily, the conventions of literate linguistic exchange, and you are caught in the net of the old values, of the grammars that can condescend or enslave.
I'm interested in the cultural thing - music, then eventually cinema. I think it's part of my struggle as a cultural worker. I'm not into the armed thing. I cannot be violent.
The dominance of [an ideology] is shown by the fact that the dominated classes live their conditions of political existence through the forms of dominant political discourse: this means that often they live even their revolt against domination of the system within the frame of reference of the dominant legitimacy.
It's very hard to try to be a cultural . . . people who organize cultural things . . . it's very complicated. And more so in a country like Guatemala.
If we are to believe or accept that buildings are cultural markers, if architects work in a vacuum with their own preconceptions about society, then we won't be creating appropriate cultural markers.
I think there should be some way to find some kind of reasonable accommodation that allows the state to continue to say, you know, that women's rights supersede any kind of a cultural custom that's oppressive to women, but also potentially allows a woman to take the oath, I don't know, in a separate room. It would be up to the court to find some kind of cultural accommodation.
I would never call myself cultural elite, but you might be cultural elite.
I think that in the diaspora, and among immigrants, religion becomes a vehicle for the transmission of cultural information, and cultural codes, and this does end up re-inscribing certain things about the religion - like caste. Caste discrimination and hierarchy are still a very fundamental and violent part of Hinduism. My family was upper caste, and that was very clear. I feel like caste and religious practice are inextricable, actually.
The body must be regarded as a site of social, political, cultural and geographical inscriptions, production or constitution. The body is not opposed to culture, a resistant throwback to a natural past; it is itself a cultural, the cultural product.
Ideologies are cultural memes. They are the most confining of the cultural memes. That's where culture gets real ugly. It is when you rub up against its ideologies.
I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.
...discussing cultural relativism with cultural relativists is like playing tennis with some guy who says, "Your ace is just a social construct.
Bound to seek recognition of its own existence in categories, terms, and names that are not of its own making, the subject seeks the sign of its own existence outside itself, in a discourse that is at once dominant and indifferent. Social categories signify subordination and existence at once. In other words, within subjection the price of existence is subordination.
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