A Quote by Todd Haynes
You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually.
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Vacations are designed to refresh the outlook of everyone. No matter how tired they may be when they return to work, vacationers have been refreshed emotionally and intellectually. Their effectiveness in their job has probably improved, and they are, generally speaking, better employees for the time off.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
So this show [Cosmos] does not only operate on you intellectually, because telling you stories of how science works and why it works and what was discovered and why it matters, but combines that with stunning visualizations of the cosmos. This has the chance of affecting you intellectually and emotionally, and as well as even spiritually, because the wonder and awe of the universe are especially potent when presented in this way."
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
This is still a man's profession, with a lot of men who intellectually and emotionally have not accepted that the military could be women's work.
The first time I went over to [my director's] house, he said to me, This is a very strange play. I was pleased that he reminded me of that. [He] understands the play [VENUS] intellectually and emotionally and the humor, the funny bone.
I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
Poetry is at the centre of my life, too, emotionally speaking, and intellectually speaking - it's just that I'm one of those people who enjoy doing other stuff as well.
Independent means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want. It's where you feel the director, not a machine, at work. It doesn't matter where the money comes from. It matters how much freedom the director has to work with his or her team. That's how I personally define independent movies.
You know what, I've always been a smarty-pants, and the only thing that goes wrong now is that people know that I play a doctor on TV and so they quickly call me out on the fact that I really think I am a doctor.
It seems to me that humour is everybody's way of keeping sane and standing off from the situations so that they can see it intellectually, as well as emotionally, and I don't know whether you've noticed, but if somebody tells a joke, it's nearly always a mini fantasy.
I love voice-acting - I can go to work without wearing pants. Although I did wear pants during Gremlins. But it's always more comfortable to work without. And if you notice, I relate to Gizmo in that way because he also works without pants. I have furry little legs, too.
I have done very little in my life except go to school and work for the CIA. Intellectually I think I did everything I could. Emotionally you always think you should have something more.
I had to be intellectually satisfied as well as emotionally because at that time of life one doesn't just fall into it in adolescent emotion, and I was satisfied at every point that it was the one way and the hard way to do things.
A film engages you emotionally and intellectually.
Every poet has a certain amount of "stuff." That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.
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