A Quote by Todd Haynes

It's funny: I don't feel like I have any particular privileged feeling for the Fifties. — © Todd Haynes
It's funny: I don't feel like I have any particular privileged feeling for the Fifties.
The truly privileged theories are not the ones referring to any particular scale of size or complexity, nor the ones situated at any particular level of the predictive hierarchy, but the ones that contain the deepest explanations.
The truly privileged theories are not the ones referring to any particular scale of size or complexity, nor the ones situated at any particular level of the predictive hierarchy - but the ones that contain the deepest explanations.
I feel sometimes and in some ways like Linda Romanoli and Monica Velour; I feel marginalized because I'm in my fifties. If you went online and you look at some of the blogs, which one can do on a lonely night, it's pretty startling what people will say about you just because you're in your fifties.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
Back in the fifties (the nineteen fifties, not the eighteen fifties) I did some writing for Mad Magazine, along with my friend Ernie Kovaks and a pair of comics named Bob and Ray.
Luckily I am very, very privileged and feel very lucky to be getting work and my kiddies are not feeling the brunt of any kind of horror that's going on today. So I'm super lucky.
What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.
It's funny, this thing about happiness. It's a commodity that was imported from America in the Fifties. I see myself simply as living my life. . . . I feel it's pushing your luck to define how happy you are.
It is as if, to every period of history, there corresponded a privileged age and a particular division of human life: "youth" is the privileged age of the seventeenth century, childhood of the nineteenth, adolescence of the twentieth.
To have in general but little feeling, seems to be the only security against feeling too much on any particular occasion.
I don't feel any pressure to be funny at all. I'm funny because I want to be funny. I could sit here and be serious for an hour and you would go away and make me much funnier than I am.
So many people feel that they have to wait for certain experiences in order to feel the emotions they desire. For instance, they don't give themselves permission to feel loved or happy or confident unless a particular set of expectations is met. I'm here to tell you that you can feel any way you choose at any moment in time.
I'm in my fifties now. That's still a shock when I say it out loud, because I don't feel any different to when I was in my thirties.
I feel like an outsider, and I always will feel like one. I've always felt that I wasn't a member of any particular group.
I find a lot of things kind of funny and I often say what's on my mind, and then get nine texts from all my friends going, 'What's the matter with you?' But I haven't ever made a big attempt to have any particular image. And I don't really worry about it. If it's funny, I don't care.
How can you be afraid to feel? Isn't fear a feeling? If you're feeling fear, you've felt one of the most negative emotions there is to feel. Everything else should be a piece of cake. Feel good, feel happy, feel healthy, feel loved, feel abundant, feel creative, feel compassionate, feel knowledgeable, feel powerful.
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