A Quote by Wes Ball
Everything is always against you when making a movie, and if you don't have a solid blueprint that the entire team can get behind and understand and then execute, then you're going to be lost on the set.
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I think - I hope - that we're going to be able to build something here with U.S. Soccer, where it's not just going to be about one lost match or one lost cycle or one lost team. It's going to be about an entire country rallying around an entire sport in a way that lasts.
What I liked was to set the tone - set the pace for the team. I know when we're starting the game, I can get on and steal a base, then a guy bring me in. Then we're in the lead and in a good position to win. That was the most exciting thing - to help the team.
You're in the middle of making a movie and this part of the process is always very interesting. Because you think what you're making your movie is and then you start putting it out there, and then people tell you what your movie is.
I feel very much aware of my mortality. I'm here, and then I'm not. It's the same thing with everything else: the movie comes out, and then it's gone. Everything is changing all the time, and I'm not going to stress out and spend my entire time chasing something that ultimately doesn't exist.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
The first thought is always about making the playoffs. That's the tough part. And once you get there, only then you can allow yourself to start thinking how you are going to play in the playoffs against other teams. And a lot is left to chance then. There's an element of luck as well: sometimes you get lucky, sometimes you do not.
You have to get rid of borders, limits, and classifications; then light comes. We see everything on the screen of our ideas. We must get rid of that screen to be able to see what is behind. X's ideas are limited, that is why he remains on the surface. Y got rid of the limits, so she always goes to the depths. We should always meet people and new subjects with no set frame of mind. We have to live like that even after long acquaintance. We must get rid of every set idea to approach everything and everyone with love.
I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
It depends on the way you shoot it. It's something I don't really control. The main goal is to make a funny movie, but then I let my mind go. I get lost sometimes in the writing, trying to find some special zones. That's the excitement of making a movie.
Syllogisms ? la mode - If you are against labor racketeers, then you are against the working man. If you are against demagogues, then you are against democracy. If you are against Christianity, then you are against God. If you are against trying a can of Old Dr. Quack's Cancer Salve, then you are in favor of letting Uncle Julius die.
If I'm focusing on playing and enjoying the song, then it always goes well. I get lost in the song, and the performance is so much better. If the focus becomes not making a mistake, then it just feels rigid to me.
You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.
Against Chelsea, you will have periods in the game when you are right up against it, when they keep the ball. They are pretty solid the way they set their team up.
If I was ever to have a child, this is what I'd tell it: 'Child,' I'd say, 'don't never mess with time. Keep now now and then then. And if you ever get lost in thick smoke, child, set still till it clears. Set still till you can see where you are and where you been and where you're going, child.
I just feel like when I come up against another team, I'll always look at their best players and I'll think, if I can stop these doing what they are doing, then I'll get noticed and I'll help the team as well.
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