A Quote by Zoya Akhtar
We need to develop artists who are not just scoring films. I'm hoping 'Gully Boy' can help with that.
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Writing for publication is an art, a craft, and a business, so you need to develop skill sets in multiple areas. You need to learn how to be a marketer just as much as you need to get past your influences and develop your unique prose voice. And you can't do it alone. You need a strong emotional support system to help cope with the frustrations and setbacks.
I'm just hoping that, as more black artists take control of the narratives that are out there, more opportunities will come around for artists of colour. We want to make the same waves that the white artists do.
I always really wanted to do film scoring, largely because I hate writing lyrics. I just won't do it. I need help with the words.
Each film has its processes. It doesn't mean that all animated films have to be like "Boy and the World," but creators have to have total freedom. There are films that are born with the purpose to sell. They are still admirable films with great artists and great visuals, but we wanted to use a more radical approach to create art. That's what we tried to do.
I am thrilled and very grateful that 'Gully Boy' has been picked as India's official entry for the Oscars.
In 'Gully Boy', of course, Ranveer Singh's performance has largely decided what the songs will look and feel like.
I'm hoping to develop a lot of graphic novels and television shows and films and animation. I've got my hands in a lot of different things!
You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them, it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.
You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.
There are as many ways to help another human being as there are people in need of help. For some, the urgent need is as basic as food and water. For others, it is an opportunity to develop a talent, realize an idea, and reach one's full potential.
I'll develop my own image. I'm an original man. A one and only. I just need some help.
I felt like for what I needed, Bad Boy got me... they got me covered. Especially Puff, man. He's going to be the first billionaire rap entertainer. At the end of the day, they need me. Other artists-labels don't need me, but Bad Boy and Puff needs me. And I need them. It goes both ways.
I had a talent for scoring films; I just developed it.
I had a talent for scoring films. I just developed it.
We need to develop a robust set of tools - strategies and routines - that help us address student variance. It's easy to come to rely on two or three "trusty" instructional strategies like worksheets and lectures. Those are of little help in planning for a variety of student needs. As we develop a better toolbox, we're empowered to meet students where they are.
I was playing in a band and was approached to score an independent film. I had never done it, but had written instrumental music, so I figured I could do it. Turns out I loved scoring the film, and took on another couple films before realizing that if I was to be an effective narrative composer, I should study the craft of composition. I stopped taking projects and got a degree in orchestral music composition, and followed that with film scoring studies. Near the end of my degree studies, I started taking on student films as a way to get back into film scoring.
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