A Quote by A. Scott Berg
Clark Gable seemed fascinating all his life because there wasn't so much information about him. Today, you're on television all the time.
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Who could quarrel with Clark Gable? We got on well. Whenever anyone on the set was tired or depressed, it was Gable who cheered that person up. Then the newspapers began printing the story that Gable and I were not getting on. This was so ridiculous it served only as a joke. From the time on the standard greeting between Clark and myself became, 'How are you not getting on today?'
It was the joy of your life to know Clark Gable. He was everything good you could think of. He had delicious humor, he had great compassion, he was always a fine old teddy bear. In no way was he conscious of his good looks, as were most other men in pictures at that time. Clark was very unactorly.
I still have a hard time saying who Johnny [ Cash ] is in one sentence. He seemed so contradictory in his actions, and I think that's probably what is most fascinating about him and what made him such an interesting character to study.
I learned early on, having known the most handsome, successful, Gary Cooper, Clark Gable, Robert Taylor, don't ever spend too much time looking in the mirror.
I'm just glad it'll be Clark Gable who's falling on his face and not Gary Cooper.
I watched Gene Kelly for his smile, for his energy. Vittorio Gassman for his movement. Clark Gable for his mustache. And I watched Lassie who was happy as a dog.
I regret not doing a film that I was offered with Clark Gable because the script was not good enough.
If it was a biopic about Glenn Greenwald, I would have immersed myself more fully in his personal life and gotten to know him as much as I could, but because it was much more about his relationship to this particular situation, to The Guardian, to Laura Poitras, and to Ewen MacAskill, and Edward Snowden, I was able to really learn a lot about him from reading his book and reading his many articles and accounts of that time.
I have had the advantage of the opportunity to meet with Mr. Trump on several occasions. And my experience is that he's very intelligent. He's thirsty for information. He wants to hear what you have to say. He listens to his advisers. He digests the information very quickly, and he's got a good memory, because I remember one time I was talking to him about something, and then he pulled some information out of his memory banks that was a great connection that I hadn't even thought to mention to him.
I have never met a man more shy than Clark Gable. He was so shy, you couldn't make him talk.
I was very young when I saw 'Gone With the Wind,' but I fell in love with Clark Gable. And when I got to work with him, I couldn't believe it. I still had a crush on him. He was quite an old man by then; he must have seen that I was head over heels, even though I was married.
When Clark Gable, MGM's most popular and famous leading man asked for a percentage of the profits from his films, he was flatly refused. A top executive was reported to have said, He's nobody. We took him from nobody. We lavished him with lessons and publicity and now he's the most desired man in the world. Who taught him how to walk? We straightened his teeth and capped them into that smile. We taught this dumb cluck how to depict great emotions, and now he wants a piece of the action? Never!
The only man who could make a love scene comfortable was Clark Gable. He was born graceful, he knew what to do with his feet and when he took hold of you, there was no fooling around.
Clark Gable was the first to have called me a mermaid.
I saw him playing on television and was struck by his technique, so I asked my wife to come look at him. Now I never saw myself play, but I felt that this player is playing with a style similar to mine, and she looked at him on Television and said yes, there is a similarity between the two...his compactness, technique, stroke production - it all seemed to gel!
Clark Gregg and I are around the same age. He has been an actor and is a writer. But with a first-time director, there is a way to talk about things they might not know. Because Clark was an actor, though, he knew more about the process than most first-time directors.
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