A Quote by Abbas Kiarostami
It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.
Related Quotes
Congratulations. You have met your conscience. In my experience, the world is divided between those who have one and those who don't. And the ones with one are divided into those who will act on their conscience and those who won't. Those who will are, I'm afraid, the smallest category. They will *jeito*. It's Brazilian Portuguese. It means to find a way to get something done, no matter what the obstacles.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
I'm working with fragments a lot of the time and the connective tissue isn't there yet. I think of it the way comics work. You have a block here and a block here, and there's this white space in between. Somehow your mind makes the leap to connect those two blocks. Finding a way to trick your mind into connecting those blocks is one of the fun things for me about writing. You can have those leaps that will emerge into something, if you're lucky.
I think your behavior is different when you work on digital or film. It seems that... I feel most focused if I'm working on film.
I don't trust books. They're all fact, no heart. And that's exactly what's pulling our country apart today. Because face it, folks, we are a divided nation. Not between Democrats or Republicans, or conservatives and liberals, or tops and bottoms. No, we are divided by those who think with their head, and those who know with their heart.
Negotiating with memories isn't easy: how to choose between those panting to be told, those still ripening, those already shriveling, and those destined to be mangled by language and come out pulverized?
As far as the balance between being a journalist, being an artist, being a storyteller - documentary filmmakers are all three of those things. The balance between them is affected by the film itself, the topic of the film.
I begin to suspect that the world is divided not only into the happy and the unhappy, but into those who like happiness and those who, odd as it seems, really don't.
Those who are bent on revolutionizing society may be divided into those who seek something for themselves thereby and those who seek something for their children and grandchildren.
Being a working mother is not easy, but I think it helps you choose what's important in your life. If I think about starting a new project - whether it be music, a movie or a fragrance - I always stop and think: Is this something I feel really passionate about? That way, if I'm not at home at least it's for something I really love, and my son can look up to that.
For me, men are not divided into believers and atheists, but between oppressors and oppressed, between those who want to keep this unjust society and those who want to struggle for justice.
For most jobs, especially those in the digital economy, there is no objective standard for being 'qualified.' If you and the team you're working with think you're qualified, you are.
When you think of things like The Sopranos, The Wire, Damages, they are beating film on a regular basis. Most films are terrible. It's only the 2% that are good. There's things you can do on TV which you can't do on film. There is something about those episodic, serialisations that are grand and operatic.
Humans are divided between those who can still look through the eyes of youth and those who cannot.
I think the key difference between the web and print medium is, on the web or any digital medium, you're dealing with this added element of behavior.
If African film makers had one-tenth the amount commanded by film makers the world over - even the amount used by so-called shoestring film makers - I think we would see quite an explosion of African films on the world scene.
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