A Quote by Abbas Kiarostami
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
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I have been attacked by media critics and just critics of my own for years. And that, unfortunately, is part of the job in 2016 America. I was used to that. And I've developed a thick skin.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
Weirdly, there have been a lot of critics of conservatism, but very few critics of innovation. As a culture, we are deeply paranoid about politics, but we gaze upon innovation with rapturous adulation.
Critics kind never mind! Critics flatter no matter! Critics blame all the same! Do your best damn the rest!
I think as you get older, you realize there's always going to be critics. Critics are going to win every time because they can change their critique based on the stats and their own personal feelings. It's less about proving people wrong, the critics wrong, and it's more about challenging myself to keep this level up.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
There are television critics, movie critics, and theater critics too who I like and who I follow and I get genuinely bummed when they don't like something that I've written because I usually agree with them.
When critics ask you if you feel vindicated by other critics - I didn't like critics then, and I don't like them now. There you go. I've always been outside the mainstream, and it stayed that way.
I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.
I don't really give in to the critics because critics are always going to criticize, and what have they done? A person who has never done nothing can't really care nothing about doing something. So as far as the critics, I don't care what they think. I don't have time to give to critics.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
Critics are critics: their job is to find things wrong with people.
As for critics, one mediocre writer is more valuable than ten good critics. They are like haughty, barren spinsters lodged in a maternity ward.
I honestly think I could sit down and write a show tonight that the critics would love, and I know it would be canceled within four weeks. I know what the critics love. We write and produce for people, not for critics.
I'm not trying to brainwash my critics. If they're critics, they're critics, and that's their job to be critical, but I certainly enjoy the involvement I have with my fans. I enjoy the time I get to spend with them, and I don't waste time with someone stubborn who is not going to come around.
I've encountered a lot of people who sound like critics but very few who have substantive criticisms. There is a lot of skepticism, but it seems to be more a matter of inertia than it is of people having some real reason for thinking something else.
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