A Quote by Abbas Kiarostami

The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back. — © Abbas Kiarostami
The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.
I think about life and death a lot. For the longest time I thought this was it, but then I thought maybe reincarnation does exist and we will all come back. My new thought is either of these could be true, but realistically what is going to happen is when you are dead you are not going to know you are dead, so it's not the end of the world.
A couple years ago, I felt like I was in a dead end, and I kept asking myself, "How do you get out of a dead end?" People would say the answer is, "You just turn around." But that was not the answer that I was going to accept. I realized, for me, that getting out of a dead end was literally the world turning upside down, and I had to fall out of the dead end. So you have to surrender, so I've really learned how to surrender, practice unconditional love. With my art, I've always put out things I love.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
The problem with American cinema is that because you're making films with huge amounts of money you need to hit the lowest common denominator in order to make it back and so therefore you're not allowed to play with moral ambiguities or ask questions.
Cinema is capitalism in its purest form.... There is only one solution - turn one's back on American cinema.
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
A dead end street is a good place to turn around. Can't really fault the logic of that, unless you want to go down the dead end of course!
Right away I thought I'd been hit by a hand grenade ... her (Joni Mitchells') voice, those words ... she nailed me to the back wall with two-inch spikes... I promptly fell in love with her...
A story has been thought through to the end when it has taken the worst possible turn.
I decided to go to the cinema school because I thought it was a new sort of media. Nowadays, it's not anymore, but in the '50s, cinema had a half century of age. Today it's more than one century. I thought it was a new media, a new way of telling stories.
Let us, therefore, foresake the vanity of the crowd and their false teachings, and turn back to the word delivered to us from the beginning.
I hammered him with my fists. He just stood and took it. He didn't suffer graciously, he looked pissed off to no end. But he let me hit him. And he didn't hit me back.
that is not the last word; it is not even an apt word; it is a dead word from ten years back.
Cinema has reached a dead end.
If you hit the front end on the right-hand side you could turn that one on by itself and if you hit on the left-hand side you could turn it on and off. And in the middle it was like serious overdrive.
When ignorant people see someone who is dead, they are disgusted and horrified, even thought they too will be dead some day. I thought to myself: I don't want to be like the ignorant people. After then, I couldn't feel the usual intoxication with life anymore.
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