A Quote by Abel Ferrara
A script is not a piece of literature it's a process.
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A script is not a piece of literature, it's a process.
A great piece of literature does not try to coerce you to believe it or agree with it. A great piece of literature simply is . It is a vehicle of truth, but it is not a blueprint, and we tend to confuse the two.
I loved Rushmore. I loved the script. I mean, that is what drew me to it, just the actual piece of literature the script is. But I never thought in a million years that anyone would see it or respond to it. It was an absolute joy that it was so loved and continues to be. The same with The Sixth Sense. I thought, "No one's going to watch this. Bruce Willis hasn't got a gun. There's no shagging. Lovely story, sweet and profound about loss and death, but no one's going to watch this."
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
The script is always the main preparation for me. Sometimes you have a period piece where you have to research around it, but if the writers have done their homework well enough, the information is all in the script.
The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made.
I've seen it personally that people have a natural sensibility to Arabic script. I don't know it if it's because of the shape, I don't know what it is in this script that makes it so universal. But even if you don't understand it, you still have this feeling; you can feel the piece of art in front of you.
Writers get to stay with the piece. They don't just turn the script in and somebody else takes it over and goes out and produces it and edits it and all that stuff. We stay with the piece all the way through.
There is no such thing as a Difficult Piece. A piece is either impossible - or it is easy.
The process whereby it migrates from one category to the other is known as practicing.
Being in front of the camera, you never got to see the whole process from the conception of the script all the way through to the filming process.
Finding a good script is really difficult and the scariest thing of all is when they say about a script that's not right, "we will fix it.." It's like before you get on the Titanic and you see a big hole. In process, it's too late.
Is an 'idea' an advance visualization of a piece? Part of a piece? If anything - if it hasn't already evaporated - it's one of the very first things sacrificed during the actual process of making something.
When we seem to have won or lost in terms of certainties, we must, as literature teachers in the classroom, remember such warnings -- let literature teach us that there are no certainties, that the process is open, and that it may be altogether salutary that it is so.
As a piece of travel literature alone, 'The Ends of the Earth' succeeds in providing a tangible sense of the sweaty, smelly reality of many exotic points on the map, with glimpses of their cruelty but also, occasionally, of beauty and human kindness. As a piece of analysis, it is deeply thought-provoking.
There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
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