A Quote by Abel Ferrara
I grew up in the '60s, which was a creative time, so it wasn't that big of a stretch to go from a baseball bat to a guitar to a film camera.
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I grew up in baseball stadiums. It was my two brothers and baseball around me all the time. I knew nothing about film or acting or theater when I was young!
I wanted to be a film student again, as a man in my 60s. To go someplace alone and see what you can cook up, with non-existent budgets. I didn't want to be surrounded by comforts and colleagues, which you have when when you're a big time director. I wanted to write personal works.
I was born in the '60s and grew up in the '70s - not exactly the best decade for food in British history. It was horrendous. It was a time when, as a nation, we excelled in art and music and acting and photography and fashion - all creative skills... all apart from cooking.
I'm not just influenced by the '60s - it's who I am. I grew up with Allen Ginsberg and Che Guevara. I flirted with various forms of communism when it was way out of style. It was this really strange and creative time in music and culture, and it was fabulous.
I grew up with baseball; I played in Little League and went to games with my dad. But I, as I grew up, became more of a basketball fanatic than a baseball one.
I grew up watching film shootings as I always accompanied my father during my holidays. So I was not scared about facing the camera nor did I go to any acting classes.
Like all teenagers in the early '60s, I put down my hockey stick when the Beatles got big and picked up a guitar. We all thought we'd be rock stars. Then I got into comedy, but I'd always find a way to use my guitar, such as writing songs and doing musical parodies.
If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.
If people got hit on the head by a baseball bat every week, pretty soon they would invent reasons why getting hit on the head with a baseball bat was a good thing.
My business life takes a big chunk of time, but I still put exercise in my schedule. I'm up at 5 A.M. and get up and stretch and go for a run in Runyon Canyon with all five of my dogs.
As far as sleeping goes, you're up and ready to go at six in the morning. Spring training was always a combination of relaxing and working, and I missed that quite a bit. I missed being around the ball field. A baseball. A bat. The smell of the uniform, you might say. Talking baseball. Seeing opponents as well as the Cubs.
'How do you balance the creative with the biblical?' One could pick up the scripture and read it to oneself and you would be communing directly with that information. As soon as you go into film, as soon as there's a camera, and there's an angle, and there's lighting, and there's editing, you're into the adaptation.
I grew up in a small segregated steel town 6o miles outside of Cleveland, my parents grew up in the segregated south. As a family we struggled financially, and I grew up in the '60s and '70s where overt racism ruled the day.
I grew up a big baseball fan. I thought I knew a lot about the game, but I didn't realise that all these American Major League Baseball teams have their own private academies in the Dominican Republic to find good players and bring them over to make money for their teams.
I grew up playing football and baseball and moved on to play college baseball, and, you know, as a kid, my dream was to play professional baseball.
Music has always been in my family, but it was mainly keyboards. I learned to play classical piano, but when I first heard the amazing bass guitar of James Jamerson, who played on all the big Motown hits of the '60s and '70s, I knew bass guitar was my instrument.
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