A Quote by Abhay Deol
It's scary to work with family, alongside my brothers and uncle. I can't imagine myself screaming at them even in front of the camera.
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I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
When I used to work in television, a tip was rather than looking down the barrel of the camera and imagine people watching, which is terrifying, imagine your most discerning friend observing you, and imagine you're just talking to them.
I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
I grew up with older brothers, adore them, can't imagine going through life without them, and I definitely think I draw on that love when I'm writing about siblings. It's so powerful, the jump-in-front-of-a-train-to-protect-them kind of love.
Because I didn't have brothers, I was always interested in the kids down the street that had four brothers in their family, so I became one of them - but it was not my family.
Even my family laughed at me because they thought this young guy who's always stuttering in front of other people should be in front of 100 musicians and talk to them and leading them.
When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in 'The Partridge Family' alongside me, so we worked together for years.
When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in The Partridge Family alongside me, so we worked together for years.
When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
I had prepared myself for the second half of my life [to be] filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
When I saw myself with barely any makeup at, it was such a… like, I'm so, so attached to my pink lipstick, it's hard. I feel that it's become a part of me. To go in front of the camera, without pink lips or big ol' crazy lashes — you know, nothing — I felt naked. It was scary! So this photo shoot was a real accomplishment in my eyes.
I used to stand in front of the mirror in my bedroom. I shared a bedroom - like a lot of people in my era, in my neighborhood - with my two brothers and an uncle. And I'd stand there in front of the mirror over the dresser and I would practice: meek young men grow up in libraries, believing it their duty to accept the views of Cicero, Bacon and Baba.
You can get a bit 'head in the clouds' - well, I do - and full of myself if I stick in front of the camera for too long. I forget there is hard work that needs to be done.
I myself have appeared on countless panels alongside people with whom I've disagreed, at times even vehemently - and yet, the thought of closing out those segments by grabbing their notes and ripping them up has never even crossed my mind.
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