A Quote by Abigail Disney
I get very close to people when I'm shooting them.
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I like shooting movies in Thailand very much because the government is so cooperative there. The police help you to close the roads for shooting.
I do have a close circle of friends and I am very fortunate to have them as friends. I feel very close to them I think friends are everything in life after your family. You come across lots of people all the time but you only make very few friends and you have to be true to them otherwise what's the point in life?
I always try to get in the back of the audience because people really want to get close to me, and I want to get close to them.
Friendship is anything that you get something out of that is very, very important to you. And that's why there are those people who are so close to you that you don't know how you'd live without them. And they are the ones that, even if they do something terrible, you have to keep. Otherwise, you're just going to be lost without them.
In life I've learned one thing; if you want to be good you have to connect with the best people. So I got very close to the high-stakes players here. I get to watch them and play with them a little bit.
I keep very close in touch with the fans - to see what they like. I'm very in touch with my audience; I get older and they get younger, which I think is the ultimate compliment. I think hitchhiking brought a few of them out! Even though all young people have never hitchhiked, all people my age did at one point in their life, they just don't do it now.
I always try and bring screenplay, shooting and editing into a sort of symbiotic - as close into alignment as you possibly can get them, consistent, obviously, with the resources that you've got and the time you've got available.
When you're shooting with long lenses, even if you're shooting a close-up, you feel the air, the distance between the camera and the subject.
I still feel very close to the people I wrote shows with and some of the people I toured with. I feel very close to them, like a family or like college friends who you know and who have seen you at your worst and you spend 14 hours driving a van all piled on top of each other.
I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.
I get very close to people when I'm shooting them. We would go and shoot a scene with Lucy, and I would spend the whole time telling her about Rob. Then I would go shoot a scene with Rob and tell him all about Lucy. Eventually they wanted to know each other. These are two people who would never have overlapped in any other way or context. We brought to the garden at Rob's office and just sat and watched what unfolded. I remember weeping behind the camera, because I was so moved by the way they connected.
I go straight in very close to people and I do that because it's the only way you can get the picture. You go right up to them. Even now, I don't find it easy. I don't announce it. I pretend to be focusing elsewhere. If you take someone's photograph it is very difficult not to look at them just after. But it's the one thing that gives the game away. I don't try and hide what I'm doing - that would be folly.
Both of them are close to how I'd envisioned them. In Ico's case the design and in SotC's the visual look were very close to what I'd imagined.
Zombies, what are you going to do with them? Just keep chopping them up, shooting at them, shooting at them.
Taller people get very competitive. When I meet someone who's close to me or taller, I'm straight up; I don't wanna be smaller than them.
You can practice shooting eight hours a day, but if your technique is wrong, then all you become is very good at shooting the wrong way. Get the fundamentals down and the level of everything you do will rise.
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