A Quote by Adam Carolla

I mean, we sit around and we go, you know, 'Torture doesn't work.' Well, it's been around for 5,000 years. Most stuff that doesn't work goes the way of the dodo pretty quick, like waterbeds and 8-tracks and things like that.
We only work? the most I ever work is three days a week. Very rare that I will work four. If I?'m involved in a scenario where they need me to be in it, I don'?t mind. They always work around my children?s schedule, their sports, and stuff like that. That?s been very important to me.
As far as I can tell from studying the scriptures, all you do in heaven is pretty much just sit around all day and praise the Lord. I don't know about you, but I think that after the first, oh, I don't know, 50,000,000 years of that I'd start to get a little bored.
I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.
Sometimes things aren't a dream because you don't really think it's a possibility. So my goal on a daily basis is just to go to work and be someone that people like to be around. I just want to work hard and be nice to people, and I feel like when you touch people in that way, on a more personal level, then they go to work the next day pushing for you. And that's when an opportunity comes that you wouldn't have even expected otherwise.
Once the day is over in volleyball, I leave the court and no one sees or hears from me for the rest of the day. I like to keep work at work. It's pretty easy for me to live a pretty normal life. I like to coach and I like to sit in a crowd at a baseball game. No one really recognizes me unless I'm walking around a beach half-naked in a suit with my name on it. Of course, I have it easier than Kerri. When you're 6-3 you tend to stick out a little bit.
I know what it feels like to be bruised; I know what it feels like to carry things around with you that never totally heal. There's closure and then there's stuff that's kind of like, Well, I guess it's going to be in the minivan forever. And you carry it with you and you continue on your journey with your minivan full of stuff, which I think most of us do.
We know where most of the creativity, the innovation, the stuff that drives productivity lies-in the minds of those closest to the work. It's been there in front of our noses all along while we've been running around chasing robots and reading books on how to become Japanese-or at least manage like them.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
I keep fit, I work out, I eat pretty damn well, I don’t drink like a fish, and all of those things are tempered with a holistic mind-set that you need to damn well respect the vehicle that you’re walking around in.
I keep fit, I work out, I eat pretty damn well, I don't drink like a fish, and all of those things are tempered with a holistic mind-set that you need to damn well respect the vehicle that you're walking around in.
I like things pretty close around me. I like to know that my house is safe, that the people and animals I love are well and happy. I like to feel as peaceful as possible.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
We've been around for awhile, had a lot of success. Got a chance to sit around and go, 'Oh, yeah, we're pretty good.'
I don't happen to like pretty things. I don't like pretty dresses. I like more attractive. I like people that look a little bit more offbeat. I don't like the classic pretty face. That doesn't mean it's not pretty or it's not wonderful, and most people don't agree with me, but that's the way I think.
I just hated being around attention and stuff. In the clubhouse, I hated being around that. I didn't like anything to do with being around people, for the most part. I mean, I could be around them, just not in a talking situation, and that would make it even worse.
I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.
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