A Quote by Adam Faulkner
It makes you feel really comfortable when someone is like, I'm not going to touch what you're doing. Do what you do and I'll put it out, but as opposed to sticking it out in Dublin and in one shop in London, it's going to go all over the world and you'll have the backing of a PR team and whatever else you need. It was like, cool, that sounds like the right move.
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You need that marketing power. You need to go do the interviews. You need to put yourself out there and risk and be open to the fact that people are going to not like you, and they are just going to rip you apart, and whatever you say in an interview can get quoted out of context.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
Girls and guys are like a bus stop - they come and go. You never know, like, who's going to be the right one, and what I've been taught is you really gotta figure out who you are first before you can really give yourself to someone else.
I think if I lived in New York I would be really stressed out going out to a club and seeing a good DJ who's doing something on a similar level. I'm pretty critical of myself when it comes to the music. Maybe they're not doing as many samples or the samples aren't put together as specifically but it would stress me out to feel like I needed to be one upping someone. In Pittsburgh, I'm in my own world - I know I'm the guy doing this here.
Music's always going to evolve, and we can't really stop that, so we have to figure out what's the next thing and how we move towards that as opposed to just being like, 'Oh, cool: let's just continue making tear-out EDM hits that are gonna last 2 months, and then somebody else is making the exact same thing under a different name.'
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
I don't feel like I possess a particular political intelligence, and when I read work that does, I feel like somebody else is going to have the right political thing to say. As a citizen, I feel an enormous need to respond, and immediately post-election, I felt like, What is my work worth? Should I quit what I'm doing and go work on the 2018 election now? How is what I'm putting into the world meaningful?
I really like those days when I can just wear sweatpants, to be honest. And when I'm actually going to go somewhere, I like to be comfortable and casual. If I'm doing something a little more fashion, going a little bit further. It's about expressing yourself and being comfortable and wearing what you like.
Even when you're out with someone, you need to get out of your head. And you can try exercises by putting yourself in situations where you may not feel completely comfortable, like going to a gallery opening on your own.
I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.
I just want to go out and enjoy my game and ensure that I contribute to the team's success, to whatever I was doing before. I would like to continue that if not better whatever I was doing. It's important for me to ensure that we win every time we go out, that's the personal target and team goal.
That's what sometimes separates people who always run and always train and people who maybe move on in life and do something else. I think I'm a lot more likely to be someone like Joan Benoit (Samuelson), who keeps going forever, just because I actually really like it, as opposed to someone who stops and never runs again.
I don't like walking around with people thinking I'm doing uncool s--, because there's nothing I'm doing that's uncool. It's all innovative. You just might not understand it yet. But it's cool. Family is super cool. Going home to one girl every night is super cool. Just going home and getting on the floor and playing with your child is super cool. Not wearing a red leather jacket, and just looking like a dad and s--, is like super cool. Having someone that I can call Mom again. That s-- is super cool.
I'm afraid that if they bring the Sonics back, what kind of team are they going to put on the court? Are they going to put the effort out? If they bring the team back, are they going to really put a good team out there? Or do we just want any team?
I didn't know what it was going to look like or how anything was going to turn out, but the production on 'Teen Wolf' is so amazing. The way that they shoot it, edit it, and put it out there, it's really so exciting. I trust the team so much. They do such a good job.
