A Quote by Adam Wingard

There are only a few genres, horror and comedy, where you can get that immediate feedback from the audience. It's very gratifying when that's what you're going for, and you can hear the reactions in all the places that you intended.
Horror I appreciate is one of the few genres that can wind the audience up and make them pay attention. I kind of like that. It's one of the few genres that can be very manipulative.
Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.
There are a few genres that I am quite sceptical about, for example, horror and comedy.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
Comedy and horror are cousins; they're related. They both come from storytellers who want to specifically affect the audience and elicit specific reactions during the movie.
Comedy can be more difficult than drama. It requires more attention to timing. In the theater, you're always dependent on the audience for the energy, but in comedy the feedback you get is more important. You can judge by the quickness and the length of the laugh just where you stand with the audience.
The stage is bigger than life. There you are projecting to an audience. In television, you're drawing the camera in to you. And with TV, there isn't that immediate feedback from an audience. You do hours and hours of taping and never get that response.
I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.
In comedy, though, it's good to get feedback from the audience about what they find funny.
Horror is one of the few genres - romance and comedy are the other two that come to mind - that's all emotion-driven. It's not a rational genre, like science fiction is. It's irrational by nature. And it is capable of exploring all aspects of human experience.
Using awareness, personal responsibility and inner work to review our unskillful or frightened reactions, we become more adept at turning habitual reactions to balanced responses. These moments are very exciting and gratifying.
I'm used to writing something, it becomes a record, it comes out. Then I go perform and I play it and I get this immediate feedback from the audience. So that's been the pattern of my life.
It's easier to do comedy with an audience, because their reactions tell you whether or not what your saying qualifies as comedy.
I can't imagine not playing Wynonna, because I get to play so many different things. In any given episode, I get drama and comedy and horror and all the notes of life, and very few shows or movies give you that opportunity.
When you're filming any show off a live audience, you get a feedback straightaway about how it's going, and the audience always enjoyed it.
Chandresh relishes reactions. Genuine reactions, not mere polite applause. He often values the reactions over the show itself. A show without an audience is nothing, after all. In the response of the audience, that is where the power of performance lives.
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