A Quote by Adrian Dunbar

I was really proud of the response to the first series of 'Blood.' Right from the get-go I knew it was a really good yarn and that it would have a chance if we got it right.
I wasn't campaigning for a role in a Hollywood television series, it was a fluke. So you've got to have a measure of good luck, you really have, being in the right place at the right time.
I'm right now wrapping up the sermon series on grace. I'd like to figure out what this next series will be in January. To do that, I'm going to come up with four or five really good ideas - at least that I think are really good ideas - and if I don't sense God really highlighting one of those, I will go to the elders of our church and my co-pastors.
If you knew everything was really was all right, and that it always has a happy ending, then you would not feel trepidacious about your future. Everything is really so very all right! If you could believe and trust that, then, immediately everything would automatically and instantly become all right.
So many Hollywood adaptations of really popular manga series just don't get it right, and for me what was really important was that if I was gonna do 'Naruto,' I wanted to actually work with Kishimoto and get a script to a stage where he would look at it and be excited about realizing it.
If you take a really good book, then the potential is for a really good film. But you've got to get it right.
We're all pretty proud of it, and we're also standing around, scratching our heads and going, "Wow, this is really good." With the caliber of actors that we have, you really can't got wrong. Not only is it fun, but it's good. It's been really, really great, in that aspect. I totally get what they're doing.
I knew I wanted to be an actress, but I hadn't ever really told anyone. I'd always got quite good grades, so people assumed I would go and do a 'normal' job. My dad took me to my first audition for drama school and picked me up without anyone knowing, really.
When things go right (and they go right a lot - you just got to keep trying) there is nothing to really laugh about.
I would love to do a musical. I would love that. I would have to find the right book, the right story, but some day I'm going to make one. I would really like to go off and direct a musical. That's what I would really like to do when I grow up.
Patience is key. You can't get selfish, and that's the number one thing I've learned at WWE. The world continues to go round, and I just knew - given the right opportunity and the right moment - that the world would know I was good, but now the world knows that I'm great.
Whenever you get to win, you feel the satisfaction of all of your hard work, all the sacrifices, all the blood, sweat and tears. It feels right and makes you realise that you are really doing the right thing.
I remember watching the first Million Man March as a kid, and I always knew that if I got a chance to go to one, I would go.
I had demos that I'd send out of the songs and I'd get, "Great, can't wait to get in a room and actually play this and work on the album." So, it was good all-around because they knew even though I wasn't with them for some of the shows, I was being productive, which was really important because I didn't want to just sit on my ass. Once I was able to use my hand again, I would go right into it.
When I joined the project, we always knew that Loki and Sylvie were going to go to He Who Remains, and the multiverse would be released. So I already knew when I got the job that it was going to be a massive undertaking to do that and a big responsibility for Marvel to get it right.
It was painful, but I really wanted to get 'Hollow City' right, and I'm glad I put in the time because I'm really proud of it.
I am so lucky to have really good parents. They didn't hesitate to let us go to L.A. They didn't hesitate, because they knew that they raised their kids the right way: to be able to live by themselves and not get caught up by L.A.
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