A Quote by Adwoa Aboah

What drew me to modeling was this idea of being independent. — © Adwoa Aboah
What drew me to modeling was this idea of being independent.
When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.
The experience of being depressed and emerging from depression made me understand the idea of a soul. I felt that the language in which one could best acknowledge that drew from faith.
Being independent is more of a mind state more than anything else. A lot of people don't understand that being an independent artist means being hands on with your career in every aspect - not being afraid to spend your own money and invest time in yourself. Although I'm affiliated with a major label, I still wake up every day with an independent mindset.
I should say that being independent in the modern model means independent in a very interdependent world. An independent Scotland is not apart from the rest of the United Kingdom.
I had no idea what modeling entailed and what an agency was. It was crazy. As I continued to do it, it was fun for me to learn everything from A to Z.
Modeling is a way for me to continue with my sport, the hours are flexible and you can earn good money through photographic modeling and the catwalk
I drew as a child, they tell me. I can vaguely remember doing it. And then I drew again in the late years at high school.
When I was a kid, probably 16 or 17, I got spotted by a model scout that wanted to represent me, and they sent me one modeling job, for Wall's ice cream. I did one job for them, and then a catwalk shoot for Kangol caps, and decided modeling was not for me.
I identify as being an independent artist. I think people often forget that Indie is actually short for independent. For me, the word has a meaning more than what it connotes from an industry standpoint.
I went to an art high school in Washington D.C., and I majored in visual art. When I started there, I was horrible - couldn't draw, couldn't sketch, couldn't do anything. I remember at one point I came to terms with the fact that I had to work my ass off to do well and that's exactly what I did. I drew and drew and drew, and it worked - I ended up getting the award for best artist and went on to apply to design school because I loved it so much. I think it really speaks to the idea that you can in fact excel at whatever you put your mind and your heart to.
Modeling chose me, I didn't choose modeling.
Anorexia was there for me before I got into modeling, but because of the arena and the demands, the disease really got out of control for me. It's like being an alcoholic and going and being a bartender.
I remember the senior class play I was in. I was also in the musical, although I can't sing at all, but I wanted to be a part of it. Then I was modeling in Pittsburgh, so being in front of the camera was something I enjoyed and benefited from. I made money growing up by modeling locally.
My journey into modeling began completely by chance. I was in school finishing up my master's degree in health management and policy when a friend entered me into an online modeling competition.
I've always been attracted to independent women, but the idea that someone could be independent and still kind of put herself second at times was pretty interesting.
Maybe there's some kind of modeling that can be tedious, like catalogue modeling, but there's a kind of modeling, with runways or working with Richard Avedon, that's not very far from acting. Besides the fact that you don't have a partner to react to, the body language is the same.
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