A Quote by Aerin Lauder
I think it's so much fun to create a space. As the world has gotten more and more hectic - with these horrible catastrophes [happening] - people are going out less, ordering in, [having guests over]. People love to be in their homes.
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On a large scale, people aren't going to cut back how much they use. That's a pipe dream. If anything, as the developing world gets richer, the world's going to consume more - more cars, bigger homes, more energy, more water, more food.
I've always explored things that people find a bit more freakish, like free jazz, and I'd gotten to a point where the live music I was making was really hectic and turning much more confrontational. So when I started working on Everything Ecstatic, that was very normal for me. I think it was a departure, but people read it as an escape from something, whereas every record I do is, I feel, a departure.
When we have a world where you have ISIS chopping off heads, where you have frankly drowning people in steel cages, wars and horrible, horrible sights all over, so many bad things happening. We haven't seen anything like this. The carnage all over the world. Can you imagine the people that are frankly doing so well against us with ISIS. And they look at our country and see what's going on. Yes, I'm very embarrassed by it. I hate it.
For the Democrats, they're trying to avoid having the Sanders-Clinton debate over and over again. But, to some degree, they're sentenced to that debate. Clinton is much more embracing of the global economy and the international world order. Sanders and Warren are much less so. And they have got to figure out which side the party is on, if they're going to have a clear message. I think this is probably one you probably can't straddle.
I think as more people get more aware, people get more defensive. And when I say that, I mean people who are more privileged, like men. People will think that by pointing out patriarchy and an oppression, that means that all men are horrible people, and they'll write that on social media, and I think that's something that's increased.
For some people, it's very easy to be spontaneous and they can pour out the most wonderful stuff. But it's really hard to exert control over it, to think, 'Well, this could be different. This could go in the opposite order, there could be more here and less there.' For other people, it's much easier to have rules and a methodology, but much harder to let loose and allow their feelings to come pouring out on the page. They're more shy or they're just more distant from their emotions. I think everybody starts with one or the other.
We need to have points of view from lots of different types of people. People who have different backgrounds, different parts of the world, who maybe perceive gender differently. We're in this time where we have social media, we have the ability to share so much, that I think that we need to create more space and more opportunity for people that are just outside of the typical cliched binary roles.
I think horror movies are still - this can be said of all movies - but being with a group of people scared together is more and more something unusual and fun. Especially for kids who are going out less generally.
Maybe I don't take myself quite as seriously as I used to, but the work has gotten better and more interesting, and I'm just having more fun. It's getting more and more fun with each role.
What happened in 2008 stopped people in their tracks. People stopped looking at their homes simply as commodities to exploit and starting thinking about how they might personalise that space and make them less bland and more autobiographical, and that's healthy, I think.
Did the nineteenth-century novelists create more generously than we do now? In a general reading of contemporary work, do you see a lot of new and different characters, or is it the same character who is a stand-in for the writer? And it's interesting enough, but it's a weakness I think. We are much more self-revealing and less able to produce new people over and over again.
People still do fall in and out of love and can and cannot express what they feel and are very much pained because the person they love is with somebody else. That's happening the whole world over, and I think it always has been.
As long as there are a few people there, I can lose myself, which is the ultimate goal. And that's happening more and more; the non-musical world is becoming less and less interesting to me.
When we have a world where you have ISIS chopping off heads, where you have - and, frankly, drowning people in steel cages, where you have wars and horrible, horrible sights all over, where you have so many bad things happening, this is like medieval times. We haven’t seen anything like this, the carnage all over the world.
I think when you write every song on your album - it's like having eleven or twelve children. It's hard to say I like this one song more or I like that one more. I love every song on the album. What's happening is that I'm hoping that everyone will be very satisfied. I think the single "Good Girl" will be adored by the people in the urban world and I think the "Best of Me" will be loved by people in the pop world.
I think, mostly for people on the outside, it's a lot about numbers or stats. More or more. That's how the football world is going, in that direction. But I'm not really looking into it. I'm just trying to be the best I can, to create as much as possible.
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