A Quote by Agyness Deyn

It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.
Performing with Thomas Rhett our song 'Craving You,' I'm so excited for the fans to see it and sort of see our worlds come together because I feel like he's sort of a genre pusher and boundary pusher, and I feel the same way about my music.
I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.
The great thing about 2017 is that, because of the terrible political state that we're in and that America is in, young people are so vocal at the moment about so many issues, from racism to LGBT rights to beyond. I feel like - especially when I look at my fan-base - people are so vocal about their opinions and so vocal about spreading love. That's really important, and I think it's really amazing that people are talking about that. I just want that to keep happening.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
Really I've just gotta be making really great music that I love and not worrying too much about what other people are gonna think about it.
I just think it's really funny and entertaining. I mean, I don't necessarily take them really seriously - I don't even think a lot of really good films get seen. But I don't think that's what it's about. I mean, how amazing was Ellen Burstyn in Requiem For A Dream ? Especially as she was acting with herself most of the time. I don't understand how a performance like that can't win. I was so affected by that movie that I had to turn it off. I felt as if I was on drugs and my heart was about to leap out of my body.
I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
One great thing about my mom, about the business, is that she has a really great head on her shoulders about everything and always has been 100 percent about the music and not about the other junk.
I sort of felt like being young was normally written about as being very fun and light-hearted. And I think that's true, but I don't feel like there's a lot of songs about how hard it is when you don't really know who you are or what you want, and you feel like you have to apologize for simply just existing.
I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
No, I don't do drugs anymore, either. But I'll tell you something about drugs. I used to do drugs, but I'll tell you something honestly about drugs, honestly, and I know it's not a very popular idea, you don't hear it very often anymore, but it is the truth: I had a great time doing drugs. Sorry. Never murdered anyone, never robbed anyone, never raped anyone, never beat anyone, never lost a job, a car, a house, a wife or kids, laughed my ass off, and went about my day.
I used to be really snobby about music. I'm not as snobby as I used to be, though. I have this great bit about not getting mad about music anymore. It just happens when you get older.
I don't get competitive, really. So I don't know. If I'm excited about something, hopefully someone will think, "Oh right, you should do this." And that's great. I'm not being very articulate about this. I just don't want to do stuff if I'm going to feel bummed out and uninspired.
This site uses cookies to ensure you get the best experience. More info...
Got it!