A Quote by Aishwarya R. Dhanush

It was the script of 'VRV' that brought Gautham Karthik on board. He would not risk his career if he wasn't confident about the film. — © Aishwarya R. Dhanush
It was the script of 'VRV' that brought Gautham Karthik on board. He would not risk his career if he wasn't confident about the film.
So, my first film with Karthik was Pizza,' and that in itself was like a dream. I would call it one of my most favorite scores.
If a good visionary wants to jump on board with that and I see their vision correctly and I like it and I like the script, I would absolutely do it but I have to read the script first.
My first season of 'MasterChef' was tricky. I took a risk going into TV. I was confident it was the right risk and confident I'd break down barriers as the first female judge - and one that was previously only known for the sweeter side of the kitchen.
It's much harder to act in a bad film than in a good one. A terrible script makes for very difficult acting. You can win an Academy Award for some of the easiest acting in your career, made possible by a brilliant script.
I really liked the script of 'Alone.' I thought there were a lot unexpected things in the film, which I would want to watch as a viewer. I did not think like I was doing a horror film; I did not think in terms of genre. I decided on the basis of the script.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
Reading the script for 'Jennifer's Body,' I just thought that here was a script that really exposes the horror between girls and friendships. I always sort of approached the film with that in mind first, and then thought about the crazy ways that that horror would express itself.
Akshay Kumar is a senior in the industry, and I consider myself lucky to be working with him. Each film of his opens to a packed house. Today, a film will sell only if you have a story. The audience is smart and won't be taken for a ride. And I'm confident about my movies.
If we had allowed things to drift, everything would have gone from bad to worse. Nasser would have become a kind of Moslem Mussolini, and our friends in Iraq, Jordan, Saudi Arabia, and even Iran would gradually have been brought down. His efforts would have spread westwards, and Libya and North Africa would have been brought under his control.
No man is worth his salt who is not ready at all times to risk his well-being, to risk his body, to risk his life, in a great cause.
I didn't read the script [ Rules Don't Apply ] for a couple years. It basically amounted to this kind of apprenticeship with Warren [Beatty]: conversations and learning about his whole background in the film industry and his life.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
Over the years, I would go to my agents, my manager, and I would say, 'Hey, there's this amazing true story about this gay English mathematician who committed suicide in the 1950s.' And they would be like, 'Please don't ever write that script. That is an unmakeable film.'
It's a bit disappointing when board members who don't know a thing about football are making decisions on your career. When you look at it you've got coaches, senior players and CEO's who wanted me but then it gets to a board meeting and you've got fat businessmen who are making the decision on your career. It was frustrating and it made me a bit angry.
To make a great film you need three things - the script, the script and the script.
Any actor will want his 100th film to be a commercial film, the biggest movie of his career.
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