A Quote by Aishwarya R. Dhanush
For me, making a mass film is tougher. A lot of things needed to be intertwined into a two-hour narrative without getting too complicated.
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PhotoShop is a program I use all the time with my 2D stuff. And that's an extraordinary program - you really can do anything there, and I've never hit my head on the ceiling. The 3D stuff is incredibly complicated, monstrously complicated, but for the things that I want to do, I've found very simple and interesting ways, I hope, of making images without getting tied up too much in the maps and technicalities.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
You could easily spend several lifetimes trying to master film. It make very good use of all the things that I love. Narrative, image-making, also sound and music. It's so full that I can't really imagine getting tired of it. Or getting to the point like I feel like I know it.
I tried the guitar, but it had two strings too many. It was just too complicated, man! Plus, I grew up with Steve Cropper. There were so many good guitar players, another one wasn't needed. What was needed was a bass.
I've gotten it down to one hour. If dinner takes me longer than an hour to prepare, then it is too complicated. So it has to be simple.
The thing is the game is getting tougher and tougher and we have to ask a lot of our bodies.
I have a lot of respect for, always dig, the crew. Sometimes a lot more than the cast. But a good run production team is paramount to making a good film. You just can't it done without a good line producer, without creative producers, without people who are making stuff happen.
Back when I had a little, I thought that I needed a lot. A little was overrated, but a lot was a little too complicated. See, zero didn't satisfy me. A million didn't make me happy. That's when I learned a lesson that it's all about your perception....THERE'S HOPE. It doesn't cost a thing to smile. You don't have to pay to laugh. Better thank God for that.
I could disappear from the face of the earth, and the world would go on moving without the slightest twinge. Things were tremendously complicated, to be sure, but one thing was clear: no one needed me.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
A film like 'Aashiqui 2' needed to happen for people to see me in the capacity of a hero. I am getting a lot of opportunities, as people have recognised the potential in me.
The mass is the spiritual food that sustains me, without which I could not get through one single day or hour in my life; in the mass we have Jesus in the appearance of bread. While in the slums we see Christ and touch him in the broken bodies, in the abandoned children.
Going to UCLA, as far as I'm concerned, afforded me two things. One was the advantage of meeting friends and getting to know a group of guys I hung out with, was chummy with. All of us eventually had success with film. Making films, cutting our own little movies together, 3 in the morning going out and shooting stuff, finding gels that people had thrown away, making our own lights. It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me.
I think it's getting tougher and tougher, all the big teams are getting stronger and there's more of them.
[ The Finest Hours] reminded me a lot of a film I did called Unstoppable in that you have a driving thriller aspect of the film and it's not all that complicated of a story and there's a simple elegance to it. I liked that. It is also driven by a really strong romance and ordinary men doing extraordinary things. I love that.
I'm very, very serious about what I do. I think there are a lot of people out there sort of thinking it's anybody's game. You know, "You pick up a camera and you make a movie." My experiences over the years have taught me there's a lot more than that to making a film - there's also getting the film seen, and all kinds of complex realities.
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