A Quote by Aishwarya R. Dhanush
I maintained a diary when I was a child and had all the happenings jotted down.
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In a faraway land called 'pre-2000,' what Earthlings now call blogging was called 'keeping a diary.' It's hard work to do well. I tried doing it in the early 1990s but had to stop because I no longer had a life - instead I had this thing that generated anecdotes to go into my diary. The diary took over and I had to stop.
When I won the Tony, I blacked out. I don't remember anything. I had bullet points jotted down, but I forgot to read half of them. My hands were shaking. It was an insane honor to be recognized in that way.
Over the years, I paid careful attention in client meetings and jotted down things that quite didn't make sense. And I had the courage to raise questions and to be skeptical when something didn't add up.
I jotted down Oslo After Death. This would be a great title for a book, I thought. That is what I do sometimes. I jot down titles for books that I one day intend to write.
Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.
To keep a diary is to attempt a difficult literary form. Its effectiveness is likely to derive from a special blend of honesty and appetite for life that gives the power to record everyday happenings while magically freeing them from banality and triviality.
I always kept a diary - not a diary like, 'Dear Diary, we got up at 5 A.M., and I wore the weird hair again and that white dress! Hi-yeee!' I'd just write.
In this context of achievement-and-death, artist who make Happenings are living out the purest melodrama. Their activity embodies the myth of nonsuccess, for Happenings cannot be sold and taken home; they can only be supported.
I'm so old that when I started keeping a diary they were in actual books, and I think that's one the reasons that I've never written about sex. Because early on you had to worry that someone was going to find your diary, so it's bad enough to be writing like Joan Didion, but writing like Joan Didion about sex acts you'd performed with somebody you had known for 20 minutes, that's a bit worse. So I would write in my diary, "I met J. and we had sex five times last night." But I would never write about what we did.
I tried to write poems in rhyme. I tried writing songs. Sometimes I jotted down a thought. I would keep a log of spontaneous thoughts.
I've been collecting linguistic oddities for years and years, ever since I was small. I've got loads of notebooks where I've jotted down things I couldn't make sense of.
Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.
It was a sunny day, I was carrying a child in a white dress to be christened. The path to the church led up a steep slope, but I held the child in my arms firmly and without faltering. Then suddenly my footing gave way ... I had enough time to put the child down before plunging into the abyss. The child is our idea. In spite of all obstacles it will prevail.
By the time I was ten or eleven, I had a song-book and I was writing everything down. It used to just be my hobby but now it's like my diary, it's where I can go in my own little bubble.
If you sat with a pencil and jotted down all the decisions you've taken in the past week, or, if you could, over your lifetime, you would realize that almost all of them have had asymmetric payoff, with one side carrying a larger consequence than the other. You decide principally based on fragility, not probability. Or to rephrase, You decide principally based on fragility, not so much on True/False.
Nobody doubts the importance of conscious experience; why then should we doubt the significance of unconscious happenings? They also are part of our life, and sometimes more truly a part of it for weal or woe than any happenings of the day.
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