A Quote by Aishwarya R. Dhanush
Producers now look at the talent and if they believe that the director has the potential, they are willing to shell out the money irrespective of the gender.
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If you look at what Ben Affleck has gone on to do, as an actor and as a director, it's extraordinary. But if you look back at his career, I don't think it's surprising. From Good Will Hunting on down, the guy is a monster talent, and I think talent wins out, in the end. There's always the ebb and flow of any career, but I think talent wins out, in the end.
I believe in taking care of myself and teaching other people who want to learn. I don't believe in just printing money and giving money. I'm willing to teach those who are willing to learn. If you're not willing to learn, then go vote for Obama. I'm not Republican or Democrat, so don't get me wrong.
Initially it was very male dominated and there were hardly any women director but now women have entered everywhere and they are making their mark. I think its more to do with talent than differentiating on gender.
I want my sheer work to to speak for my talent and it will be quite an achievement, I believe, if producers and directors look at my work and offer me something.
A million pounds sounds like a lot of money now that I'm saying it. But in terms of moviemaking, it's not a lot of money. And yet you can see what can be done with that, with the talent of a great cinematographer and great director and actors.
Remodeling defies the principles of modern commerce. You shell out great sums of money to people over whom you have no authority or power, yet these same people are constantly insinuating that you're cheap. (It reminded me of medicine, another area where you shell out great sums of money to people over whom you have no authority or power, who make you feel guilty for questioning a bill.) Construction workers are the blue-collar version of the snooty salespeople at Gucci who make $8 an hour but look down on you if you balk at a $400 alligator wallet.
Money follows art. Money wants what it can't buy. Class and talent. And remember while there's a talent for making money, it takes real talent to know how to spend it.
We are now welcoming a world where fashion is not bogged down by binary gender norms. The trend is moving beyond symbolizing its wearers' identity or gender. It's now being accepted by the mainstream as more of a look, both on the catwalk and the high street.
Just as a little bird cracks open the shell and flies out, we fly out of this shell, the shell of the body. We call that death, but strictly speaking, death is nothing but a change of form.
What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
I think I'm a humanist. I believe all humans should have equal rights to live, express, flourish, love and dissent, irrespective of their gender, caste, class, socio-economic strata, disabilities, political stance, religion or faith.
I look for something unique, and I look for people who haven't reached their potential. I think I'm pretty good at developing talent.
If you look before the '90s, you might not find many - if any - albums with multiple producers. It just didn't exist in the history of music. That would have been like Michael Jackson telling Quincy Jones, 'Look man, I know we did well on 'Off The Wall,' but I'm hot now, and I need to see some other producers for 'Thriller.''
If you've got the money, you need people to make money with your money. And if you have the talent, you can always merchandise your talent to someone who's got the money and make money. There's two pieces to it: talent and money.
Establishing mood through pictorial means is the director Ridley Scott's most notable talent. There may be no working director more accomplished at wringing texture out of the color blue than the prodigious and now prolific Mr. Scott; you'd swear that with his dazzling washes of blues and sand tones, he was inventing additional hues on the spot.
Stupidly, in our industry, producers pay precious money to sign stars whom they might not even use in the film. Producers believe stars make hits; actually it is the script that makes a film successful.
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