A Quote by Ajith Kumar
I am pretty expressive with my emotions. I don't think something and say something else. I don't know if it's something I should be proud of or to watch out for. Maybe I am not politically correct. I don't know if that's a crime.
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This story is about the Baudelaires. And they are the sort of people who know that there’s always something. Something to invent, something to read, something to bite, and something to do, to make a sanctuary, no matter how small. And for this reason, I am happy to say, the Baudelaires were very fortunate indeed.
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
It [cats going outside the litter box] might have something to do with - you know, I am just thinking that if I am the cat, when I'm pooping, you know, I've got to strain a little bit more and maybe that affects how the kitty litter feels on my paws. I'd try a different sub straight, or something like that - make sure it's not slippery.
There is something else I am after, out here in the wild. I am searching for an even more elusive prey . . . something that can only be found through the help of wilderness. I am looking for my heart.
Editing rooms are kind of, by definition, a bubble of you and the editor and what you're thinking. It's a truth-telling thing to watch it through someone else's eyes, is to get another level of real with your material. Like, "Maybe that's not that funny. Maybe that's not as interesting. Maybe that's redundant to something else. Maybe we can cut down." I don't know. It's a brutal, honest process. You've got to be pretty - You can't be sentimental. You have to be. It's a cold process. You can't be nostalgic. You have to make those tough decisions.
I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long. Just figure out what's next.
I think maybe the most frustrating feeling in the world is to have something to say buy not know how to put it into words. To have lived through something but not be able to get it out of you before it festers.
I have a lot of regrets, of course I do. I should have taken that part; I should have maybe married that one, I don't know, but I didn't. So I am what I am and I'm pretty confident that I can break in. I think what I have to offer on film and on television is honest.
I am comfortable with who I am as a person. I've never felt that pressure of feeling like I need to fit into something else or be something else because that's not me. I work out and I'm healthy, but that's not to lose weight; that's just to feel good.
God, I am freaking out. Maybe he doesn’t know. Maybe I just look guilty of something and he’s picking up on that.
Nobody needs to go anywhere else. We are all, if we only knew it, already there. If I only knew who in fact I am, I should cease to behave as what I think I am; and if I stopped behaving as what I think I am, I should know who I am. What in fact I am, if only the Manichee I think I am would allow me to know it, is the reconciliation of yes and no lived out in total acceptance and the blessed experience of Not-Two. In religion all words are dirty words. Anybody who gets eloquent about Buddha, or God, or Christ, ought to have his mouth washed out with carbolic soap.
People who know me know that if I say I'm going to do something, I'm doing it. I am hungry. I am determined.
Maybe it's important to open up I people- people who are right there with you, not some thousand miles away in another universe. Or maybe it's something else. Maybe I should just settle for not knowing. Maybe it's just good to know that you're not the only one who doesn't know.
I'll watch something like 'Paranormal Activity,' 'The Shining,' or 'Rosemary's Baby,' and I love them, but then I watch 'The People Under the Stairs' or 'Candyman,' and they freak me out. It's weird because I don't where the line is. I don't know what that means. I don't know what I should watch and what I shouldn't.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
Going out hanging out with the troops, and you know it's kind of all summed up in the TV show, I don't what else I can say about it. It's a great thing to do, something I'm definitely proud of.
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