A Quote by Akira Kurosawa
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied... That's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.
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I would like to believe that I am a collaborative actor. That's why I love all the directors I have worked with in recent times, as they are all collaborative directors. I think my constant desire is to keep bettering my own work. I don't get easily satisfied with my work; I am very critical of it. I learn from my mistakes.
I always say to people when I'm trying to get something going, bringing on other producers or other directors, "You can think of 95 reasons why not to make a movie. You've got to address why you want to make the movie and get it done. Just do it." I tend to live by that rule.
For as long as there's life, for as long as we have things happening in the world, for as long as people haven't been able to work it, for as long as people are not trying to work it out, for as long as there's crime, destruction, hate, bigotry, for as long as there is a spirit that does not have love in it, I will always have something to say.
Liberalism, conservatism, that's irrelevant stuff to Trump. He looks at things in an entirely different way. This is a reason why we, as conservatives, have to remain vigilant as we can to the ideological component of what's going on here, because as it succeeds, we need to be able to tell people why it's working and at the same time be able to contrast and say why it didn't work when the liberals ran the show. This is an ongoing effort.
You know, not every good book needs to be a movie, or a television series, or a video game. There's great work in those mediums, of course, but sometimes a book should remain a book. I still believe nothing tells a story with the richness and complexity of a good novel. When people say they think a book would make a good movie, they say this sometimes because, if it worked, they already saw all the images in the movie theatre that is in their brains. And sometimes that is the way it should stay.
I have been incredibly fortunate to be able to work with good directors and for me it's not really a plan each time I'm on a set with one of them; I think about what I can learn from them because I'm very aware that my filmmaking skills are very modest.
Why should people be expected to think about the meaning of life merely because they happen to be ill? That is just the time when there is no time to think about such things, because the body is so greedy for attention.
I hope my talent has something to do with it. I just think this business is so crazy. I obviously do the best I can, and the directors I admire see something in me. But this is a strange business, and there are people who are incredibly talented who never make it, who never get these opportunities. So that's why I say I'm lucky. I don't feel that I'm not talented - I think I am talented - but I also think I'm very lucky.
I think great relationships are great partnerships, and those come in all shapes, sizes, forms, ages. The only tip I have for anyone in a relationship or a partnership is work on it when it's good. It's very easy to try to take the break when things are going good, but that's the time you have to keep working on it, because you can keep it good, and that's worth a lot.
It's not uncommon to hear people say that the re-entry into their lives is very hard. A lot of actors say that the hardest thing about working is not working, because you go from one of the most structured environments in the world to a place of no structure. Maybe that's why you see someone go from movie to movie to movie.
I believe you can never stop growing and learning and I've been very fortunate to have been working since I was 10 or 11-years-old. I have learned so much throughout the years working with amazing directors and great actors as well. This was really a huge step for me because it's very different from anything that I've done before but I think the biggest difference here is that the cast we were surrounded by in this movie was unbelievable.
I don't like filmmakers to tell people how they should react to their movies. I absolutely have favorites, and I have others that I'm mortified by, but I keep that to myself. I think I've managed to find some very interesting things that I've been very satisfied with recently. I don't know if that's gonna keep going.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
I think that dreams, goals, and aspirations, all of that stuff - I'm really lucky to have been able to work with the talented people that I've been able to work with and I hope to be doing that for a very long time.
When you have arrived at your country house and have saluted your household, you should make the rounds of the farm the same day, if possible; if not, then certainly the next day. When you have observed how the field work has progressed, what things have been done, and what remains undone, you should summon your overseer the next day, and should call for a report of what work has been done in good season and why it has not been possible to complete the rest, and what wine and corn and other crops have been gathered.
As human beings we have a tendency when we like something to tie it up and make sure it's there for a long time. I've been working on being able to let things go. I don't think I ever want to buy property again.
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