A Quote by Alain Resnais

Luck, I never looked to make difficult movies on purpose. You make the films you can make. — © Alain Resnais
Luck, I never looked to make difficult movies on purpose. You make the films you can make.
A lot of times I'll make films that are mostly character-driven films - stories that involve people. Like, I make the joke: I like to make movies about human beings that live on Earth.
I have a luck cat in my arms, it spins threads of luck. Luck cat, luck cat, make for me three things: make for me a golden ring, to tell me that I am lucky; make for me a mirror to tell me that I am beautiful; make for me a fan to waft away my cumbersome thoughts. Luck cat, luck cat, spin for me some news of my future!
I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good. The main reason is not to make money, although at some points it's really difficult when you're broke.
I think I'm drawn to films more as a director with a directorial mind even as an actor. I make movies to make the films, not to act.
I got a reputation for being sort of nuts and difficult, because I was at that point, so I wasn't much in demand. And also, on the basic level, I'd made a lot of movies that didn't make money. And if you make movies that don't make money - I mean, it is a business, after all - you are not in demand.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.
I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
Anyone can buy CG technology. It's not that it's easy to make those films. Those films are just as difficult, they're incredibly hard to make.
I have made a number of movies that I have never seen. It's not a matter of ego. It's a matter of being disappointed. It's really a shame. It's just as difficult to make a movie that no one cares about as to make a hit.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
Make DV movies so you can learn how to make films, but don't try to distribute them until they are fantastic.
There's very few people who want to just make beautiful films that make money, when they can make films that make huge money.
There's very few people who want to just make beautiful films that make money when they can make films that make huge money.
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