A Quote by Alain Resnais
Oh, yes, that never happened to me in my life before. It was a risky film, and I warned the producer.
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I never planned to become a dancer, but I became one. The same thing happened with acting and direction. I remember I was doing the choreography of a film, and the producer came and offered me to direct the film. It was in Telugu, and that is how it started.
I want to direct more often. The job of a producer brings its own benefit as you start to see the simplicity of film making. But yes there is a constant battle between the director and producer in me.
An actor like me hardly ever sees a producer. My agent will say, how about Coogan for the part. The producer will say yes. So you never see the producer.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is.
There used to be times when I used to be bothered about box office, director, producer, the actress... If those ticks were marked, I used to say 'yes' to a film. Later on, my focus absolutely changed. Now if a character stays with me for two to three nights, I say 'yes' to the film.
The average film has eight or ten producers on it. That is just in a world that would be unthinkable to me, because to me, to really be a producer of a film, you have to be a line producer.
WHAT WOULD HAVE HAPPENED IF YOU HADN'T SAVED HIM? "Yes! The sun would have risen just the same, yes?" NO "Oh, come on. You can't expect me to believe that. It's an astronomical fact." THE SUN WOULD NOT HAVE RISEN. ... "Really? Then what would have happened, pray?" A MERE BALL OF FLAMING GAS WOULD HAVE ILLUMINATED THE WORLD.
Is everything funny? For me, yes. There's a positive to every negative. Even my divorce? For me, yes. If you go back and look at it, why it happened or how it happened, there's something in there that'll make you laugh.
I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.
'Satya' was a groundbreaking film that opened people's eyes. People like Ram Gopal Varma and Shekhar Kapur introduced such films in the industry as never seen before, and it wasn't easy if you went to a producer with an arthouse film back in the '90s. They'd laugh you out of the room.
I once invested in a risky business. Quite a few people warned me not to do so, but I still went ahead and invested the money.
For most players it's hard to accept you've ended your football career and that you have to go out and do something else. But the way it happened to me, so suddenly... I went into depression and had to deal with that, being depressed, something that had never happened to me in my life before.
I've been back home since November and gradually all connections with my HP life have been fading. It’s gotten to the point where I feel like it was a dream because everything has gone back almost exactly to how it was before it all happened. It's possible to forget and it’s only when someone asks ‘when’s the movie coming out?’ that I remember 'oh yes, that'.
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
Well cult is a word you would never say in Hollywood. In any film business, if you're trying to get your next film made, you would never say, "Oh, my last film was a cult film." I'd say, "Oh great, well I hope this one isn't!"
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