A Quote by Alain Resnais
I'd even say it's a realistic film because that's the way it happens in our heads; that was the idea.
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You can only really understand good if you have bad, so the idea of heaven or anything that happens for eternity, even if it's nice, I can't imagine it being nice forever. Even the idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know.
I like 'Brawl in Cell Block 99.' I think Vince Vaughn is incredible and I've never seen Don Johnson like that. It is very realistic. Some people say it is a horror film. It is not a horror film at all. It is very realistic.
At times, it is hard to say no to a film, but that happens, because you can't do a film due to date issues.
Most young people make films to be accepted, to be discovered, when in fact that was the last idea with the group I went to film school with. To be discovered was not our intention. Our intention was to tell our story our way, and make our own mistakes and learn from film to film.
It's not what happens to us that makes the difference in our lives. What makes the difference is our attitude towards what happens. The idea of luck is a powerful way of illustrating the importance of our basic attitudes in affecting whether or not we find our Element.
Americans have grown a great deal more realistic about lawyers and the law. I think that's all for the good. A lot of people will say to you these days, 'If you are looking for justice, don't go to a courtroom.' That's just a more realistic perspective on what happens in the legal process.
Nothing happens in the 'real' world unless it first happens in the images in our heads
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
Have I ever been horrified to see someone in my clothes? Many times, but I close my eyes and look the other way. That happens to everyone. What can you do? Go and tell her, 'Don't wear that dress again'? We designers always have fantasies in our heads, but the difficult task is to make them reality. Because you can be the best designer, but designing in your own place and with nobody wearing [your clothes], then what happens? You're nowhere.
I'm interested in that way we perceive things, and that was part of what I was getting into in painting - the idea of perception and how information goes through our heads and it comes out another way.
I will say 'I love you' in the same way on any medium. We have this hierarchy in our heads between TV and films, and I know that for a fact because I have experienced it first-hand.
Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!
I have no issues if audiences don't like a film or a performance, and the film doesn't do well. My problem is when they say that the film was good and performances were excellent, but the film didn't run. I have a problem when that happens.
Just because you are a woman doesn't mean you have to suffer more. We have to get that idea out of our heads.
The greatest threat to our freedom and prosperity is not al-Qaida, the Taliban, Iran or even China. It's an idea, the idea that we can spend our way out of our problems without tightening our belt and paring down the very bloated government.
Even 'Piku' was quite an experiment in terms of storytelling because on the surface nothing happens in the film. If you ask me what was the film about, it was about father-daughter fighting and the narrative captured their daily life.
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