A Quote by Alan Ball
It's easy to look at the vampires as a metaphor for any feared or misunderstood group. It's also easy to look at them as a metaphor for a shadow organization that says one thing and has a completely different agenda on their mind, and anybody who gets in their way, they just get rid of them. Does that sound familiar?
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The idea that Hispanics or women or any other group of people think alike, vote alike? That's what Democrats want. They want mind-numbed robots who all think alike and who all vote alike. It's easy! You dumb them down, you get rid of critical thinking, and you just have a blob, basically, out there of people that look for the D on the ballot and pull the lever.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing.
Look who's calling the cauldron black." "Kettle. It’s a kettle. Get your metaphors right." "That wasn’t a metaphor. It was a, you know..." He stared off into space, blinking. "One of those things that’s symbolic of another thing. But isn’t the same thing. Just like it." "You mean a metaphor?" "No! It’s like a story...like...a proverb! That’s it." "I’m pretty sure that wasn’t a proverb. Maybe it was an analogy." "I don’t think so.
If you look back at a film like 'Dawn of the Dead' - You can either watch it as a straight-up genre film and have fun with zombies being shot, or you can look at it as a metaphor for consumerism. Or a metaphor for the Vietnam war.
The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies "out there" in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the best agent of conceptual transition.
Metaphor is ritual sacrifice. It kills the look-alike. No, metaphor is homeopathy.
We should get rid of the SAT as fast as we can. Look, there are bigger problems in society. This is not the biggest problem we have. But it's so easy to get rid of it. Right? Just pull the plug.
This is a nice metaphor, too, about mothers and daughters - that when it came time for me to make my own, I was making a completely different garden than the one that my mom has. They don't look like they came from relatives. Hers is a very productive and pragmatic vegetable garden, and mine is a ridiculous overabundance of useless plants. It doesn't feed anybody, it doesn't serve any purpose.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
The greatest thing by far is to be a master of metaphor; it is the one thing that cannot be learned from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity of the dissimilar.
I think the experience of getting an audience a little bit tense and shocking them with a jump scare, and then moving on it can be cheap and easy. The harder thing is to get them unnerved and disturbed in a growing way. That starts off easy and increases all the way through the picture.
It isn't easy for me to have contact with the industry, because it is so outdated. Look at General Motors, look at -Mercedes, look at Chrysler, look at Porsche, look at BMW . . . They are all building cars from yesterday! Nobody has an idea how the car of tomorrow should look. I've built them already. I have the prototypes in my exhibition, but they won't do it.
The whole country needs to get to the bottom of what really happened with the Russian collusion allegations. But in the meantime, we have a president Donald Trump who himself says trust me. He does not accept the boundaries of law. He basically says that if anybody gets too close for comfort, I'm going to get rid of them. And as long as that's in place, we cannot afford as a country to put our fate in the hands of someone so whimsical and so unpredictable.
I wish someone could get rid of individuality so easily; one never gets rid of one's individuality completely. One gets rid of one's egotism, which is a very different matter.
It's easy to look at South Central and say, 'That's a bad place,' and it's easy to look at Beverly Hills and say, 'It will be a cakewalk,' but it just exposed me to a different set of problems. Both sides relate to each other more than they think.
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