A Quote by Alan Ball
You know, I'm gay and I grew up being aware of that at a very early age, in a fairly repressed family.
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I think growing up in skating, I was surrounded by the LGBT community, so I grew up very aware because I was around it so often, and some of the kindest people I know are gay figure skaters.
Being gay, you're kind of forced to ask, I suppose, very existential questions from a very, very early age. Your identity becomes so important to you because you're trying to understand it, and, I think, from the age of, like, 9, you're being forced to ask questions... that other kids maybe don't have to ask.
I know that as a very young child, I was afraid of death. Many children become aware of the notion of death early and it can be a very troubling thing. We're all in this continuum: I'm this age now, and if I live long enough I'll be that age. I was 20 once, I was 10, I was 4. People who are 20 now will be 50 one day. They don't know that! They know it in the abstract, but they don't know it. I'd like them to know it, because I think it gives you compassion.
Here was long period on my life when I was very disappointed by the fact I wasn't gay. Because I grew up going to gay clubs, living in New York and LA, both very gay cities.
When I grew up, the thing boys would do during the summer is work tobacco because it was a cheap product back then. I didn't want to do that. From an early, early, early age, I was like, 'I like music. This performing thing comes easy.' And perhaps that's how I ended up doing what I'm doing today. Being a musician.
I'm from a family of 20, so I'm one of the oldest guys, I grew up a lot having my brothers and sisters walk with me to school when I had to be the guy to watch them and all these things, so I kinda learned how to develop those leadership skills at a very early age.
I was very aware of the legend, from such an early age. Being a Brit, you are so aware of King Arthur, Camelot, Guinevere and Morgan, the witch. Merlin is this mad magician who's cloaked in mystery. It has that mystery about it. And, it's a lead role for a woman that's strong and has a real journey to take.
I grew up in a show business family, so we've always had a great sense of balance, being so close to my parents. I've always known what is and isn't reality. Even my older brothers' early success 10 years ago didn't change me since there was such an age difference.
I grew up in Columbia, Maryland, a planned community built during the sixties. During the early years, it was very integrated. I grew up being taught by black teachers with black principals and vice principals and, you know, a lot of black friends. We played in mixed groups, and I kind of thought that was how it was.
I was inadvertently raised in the 'gay community.' I had straight parents, but I spent massive amounts of time at a very early age with gay, theater-hopeful thirty-somethings.
Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
Theorists tend to peak at an early age; the creative juices tend to gush very early and start drying up past the age of fifteen-or so it seems. They need to know just enough; when they're young they haven't accumulated the intellectual baggage.
[I]n Africa I was a member of a family—of a sort of family that the people of your culture haven't known for thousands of years. If gorillas were capable of such an expression, they would tell you that their family is like a hand, of which they are the fingers. They are fully aware of being a family but are very little aware of being individuals. Here in the zoo there were other gorillas—but there was no family. Five severed fingers do not make a hand.
I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspapers, British magazines. I developed a really great love of England.
I grew up in the Deep South, where sexism, racism, and homophobia were and still are alive and well. I have early, early memories of words and actions of this type being very painful.
At a young age, I became very aware that not only did my family have to struggle but that families around the country were struggling as well. Also, being Jewish and having lost relatives in the Holocaust, I've always been aware of the meaning of prejudice. These are things that have remained with me throughout my political career.
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