A Quote by Alan Bleasdale

I've got a group who can't play music, one bad comedian plus boyfriend, a nervous breakdown calling himself a magician, two coachloads of 70-year-old religious maniacs looking for a fight and a fancy-dress contest that nobody knew about.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
My goal is to be a great-looking 70-year-old! I won't mind being 70, but I want people to say, "You're 70?"
I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
The thing about the NFL is nobody cares. Nobody feels bad for you. Nobody feels sorry for you... They don't care if you're hurt. They don't care if you don't feel good. You have a bad call. Play goes against you? No one cares. You've got to play. You've got to win.
I knew something was wrong; I was constantly tired, and I'd developed numbness on my left side. I'd also become paranoid that my boyfriend was cheating on me. I thought I was having a nervous breakdown. One psychiatrist told me I was bipolar.
Fashion has this youth mania. But 70-year-old ladies don't have 18-year-old bodies, and 18-year-olds don't have a 70-year-old's dollars.
My father was the captain of a cargo ship. When I was about two years old, we used to sail with him. The crew of his ship would dress me up in fancy dress and make me dance for them. I was a performing monkey!
I had a general burnout: I got extremely tired; I couldn't do anything anymore. I canceled tours; I cancelled everything in my life. For a year and a half, I was completely sick; I couldn't do anything. So yeah, I wanted to write about it in my lyrics. 'Anatomy Of A Nervous Breakdown' is really about that, the inspiration behind it.
There are so many rules about play writing. I'd have a nervous breakdown if I followed them.
Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
I said, 'What I'm going to do is dress as plain as humanly possible.' I'm not going to wear anything fancy, I'm not going to have fancy music, I'm not going to have fancy pyro - I'm literally just going to be a dude walking into the ring. I'm going to look like I just got off work from a construction site, and I am now punching you in the face.
Age is just a mental note. If I keep reminding myself that I am old, then I will automatically start behaving and looking like a 70-year-old.
Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?
I had low blood sugar, a chemical imbalance, plus the normal nervous breakdown everyone goes through from adolescence to adulthood.
When you're 20 you can put a ton of old-age prosthetics on and be an old guy, but when you're 70 you can't play a 20-year-old.
I don't feel 70. I am still looking out from 14-year-old eyes.
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