A Quote by Alan Menken
If you write enough musicals you pretty much have a sense of where they should go, what you'll need, and when; how to pull people on that journey.
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I just pretty much go to class, do my work, and go to my dorm and make beats. Or I pull up to a session. That's pretty much my day-to-day.
Business needs to move to adopt much more scalable pull platforms. When we talk about pull platforms, often people focus on one level of pull, which is what we call access. It's simply, if I have a need, I can make a request, get the resource or the information I need when needed.
We need deliberately to call to mind the joys of our journey. Perhaps we should try to write down the blessings of one day. We might begin; we could never end; there are not pens or paper enough in all the world.
Yeah, we shot ourselves in the foot right out of the gate. The guy who ran it at first misled pretty much everybody about how much capital we had. He said we had enough to go three years without making money, and we had enough to go three weeks.
I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
There should be more on television that uplifts people and shows them how to better prepare themselves for earning a living. There still aren't enough people that say "this should not be." We just let it go. We need to raise a loud voice about our fellow human beings.
Movies become living organisms that graduate from a filmmaker's sphere of influence and pretty much look back and tell you how they need to be said goodbye to. A movie often turns around and looks at you and says, "Here is who I am, and that's maybe now how you see me, but that's who I've become." And you've got to be open enough to go with that.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
I write my music to minister to myself. I have enough sin and enough shortcomings and enough need in my own life that I don't need to write to evangelize to the "masses." But if someone else can hear my music and relate to it with the same need that I do, then I give God the glory for that.
A journey does not need reasons. Before long, it proves to be reason enough in itself. One thinks that one is going to make a journey, yet soon it is the journey that makes or unmakes you.
For me, the enemy is procrastination, and losing attention, you know? It's not the writing that's difficult, it's sitting down to write - if that makes any sense. I feel I can write pretty well, and I can write pretty effectively.
My process is pretty messy, and there's a lot of creative destruction in it. When I set out to write something, I'll write some passages from it just to figure out who these characters are, how they talk. And I have a dim sense of what it's about and where it's going to go, but I know that's going to change, too.
I try not to write songs in which men glamorize their own need for approval from women. That's kinda a bogus way to go out. But I try to do this quietly. I'm not about to go around telling people how they should or shouldn't think. My feminism is for me.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I'm pretty laidback as a dad anyway. I just trust her so much. She has a great head on her shoulders and she makes pretty good decisions most of the time. She even has enough common sense that if she makes a bad one she makes adjustments and knows that's what life is. It's a day-by-day, step-by-step journey through life, as she says in the movie.
I remember that when I got to NYU, everyone was writing scripts. But I was 18 at the time, and when you write a script, so much of it is about what you pull from life, and this sounds sort of cheesy, but I felt like I didn't have enough life experience at that point to write a movie.
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