A Quote by Alan Parker

Period recreation is very difficult unless you make a black and white movie. — © Alan Parker
Period recreation is very difficult unless you make a black and white movie.
Period recreation is very difficult unless you make a black-and-white movie.
The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Theater is a recreation. It can be much more, but unless it's recreation, I don't see the point of it.
I've done a lot of research about the Civil Rights movement, and I'm fascinated with how difficult it would have been for a black man to show feelings toward a white woman in that time period.
I see racism as institutional: the rules are different for me because I'm black. It's not necessarily someone's specific attitude against me; it's just the fact that I, as a black man, have a much harder time making an art-house movie and getting it released than a white person does about their very white point of view. That's racism.
It's near impossible to make a movie in black and white in the system.
I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals — black and white — but then who thinks of a movie queen in black and white? Everything has to be in living color.
Sometimes it's very difficult to do a movie that's good and then have that movie make it to the light of day.
When you make a black-and-white movie with two people in it in 2016, you're taking a swing at something.
I make a composition with a white and a black, and make adjustments when the white has become a paper and the black a shadow.
They said 'if you have a 3D movie, we'll buy it' because they want it. For maybe two weeks I really thought of a silent, black and white 3D movie and I thought it could be great. I imagined it as a very special image, a very new image, but fortunately, I didn't have to do it.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
I see the whole episode in my memory as if it were a very crisply photographed black and white movie. Directed by Bergman perhaps.We are playing ourselves in the movie version. If only we could escape from always having to play ourselves !
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
It doesn't matter if it's black-and-white. If a movie has a story that is filled with emotion, you can have as much pleasure, and it's very good for cinema.
This site uses cookies to ensure you get the best experience. More info...
Got it!