A Quote by Alan Perlis

Because of its vitality, the computing field is always in desperate need of new cliches: Banality soothes our nerves. — © Alan Perlis
Because of its vitality, the computing field is always in desperate need of new cliches: Banality soothes our nerves.
The computing field is always in need of new cliches.
When all the archetypes burst out shamelessly, we plumb the depths of Homeric profundity. Two clichés make us laugh but a hundred clichés moves us because we sense dimly that the clichés are talking among themselves, celebrating a reunion. . . . Just as the extreme of pain meets sensual pleasure, and the extreme of perversion borders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the Sublime.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
Banality is a symptom of non-communication. Men hide behind their cliches.
Clichés are what good writing is all about. Because our lives are basically clichés.
Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
Internally, we're focused on building our own technology, leveraging all the momentum that's out there around wearable computing and mobile computing and PC computing. But at the end of the day, all the code we've written and all the invention we've created has been focused on our own tech and our own products.
My 20s were all about feeling desperate. Desperate to find a new boyfriend. Desperate to get the perfect job. Desperate to get rid of this terrible relationship with this bad new boyfriend.
Writing can be a pretty desperate endeavor, because it is about some of our deepest needs: our need to be visible, to be heard, our need to make sense of our lives, to wake up and grow and belong. It is no wonder if we sometimes tend to take ourselves perhaps a bit too seriously.
I'm sick of the old cliches. Bring me some new cliches.
When told a script was full of old cliches: Let's have some new cliches.
The problem with clichés is not that they contain false ideas, but rather that they are superficial articulations of very good ones...If...we are obliged to create our own language, it is because there are dimensions to ourselves absent from clichés, which require us to flout etiquette in order to convey with greater accuracy the distinctive timbre of our thought.
Football is based on desperation. All clubs are desperate in one form or another - desperate to succeed, desperate to survive, desperate to stay where they are, desperate that things get no worse, desperate to arrest the slide.
I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed.
Once you start rewriting, you're not able to stop. With each draft the fundamental banality and worthlessness of the material becomes more evident even as its vitality and spontaneity are drained from it.
In New York, everyone's desperate for success, desperate for money and desperate to be accepted, but in London they're more laid back about things like that.
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