A Quote by Alan Rudolph
You learn real early to make a film and then duck, and basically that's how I go about it.
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Film and television is just a different technique in terms of how to approach the camera but basically the job is the same; but what you learn as a craft in theater, you can then learn to translate that into any mediums.
I want to go to film college to learn about the departments and how everything works. Then I'm going to start directing.
When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
I didn't go to film school. My Grampa always says just watch a lot of movies. He didn't go to film school; he went to theatre school. It's interesting to learn about the technical side of it, but I think it's more important to learn about writing and working with actors.
It's not that demanding. It's fun. That's one of the great things about being an actor. You get to learn all these things normal people don't get to learn. Going through hallways where it's basically like S.W.A.T. tactical stuff. Around hallways, how to cross, how to signal everyone. Then how to hold a gun, holster the gun - everything.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
I didn't go to art school. So, I never had this moment of taking time to actually learn how to make things and learn about art history and learn about people that came before me.
The party and the Krikkit warship looked, in their writhings, a little like two ducks, one of which is trying to make a third duck inside the second duck, whilst the second duck is trying very hard to explain that it doesn't feel ready for a third duck right now, is uncertain that it would want any putative third duck anyway, and certainly not whilst it, the second duck, was busy flying.
For me, as a film goer, I like nothing more than to sit in the cinema, have the lights go down and not know what I'm about to see or unfold on-screen. Every time we go to make a film, we do everything we can to try to systematise things so we're able to make the film in private, so that when it's finished it's up to the audience to make of it what they will.
I despise the fact that the youth today acts as if being youthful is the answer to everything. It's a very young minded perspective and if you're not smart enough to realize that in life evolution is real. What that means is, we all are evolving and getting older every second of the day. That means it's about what you know, what you do and how hard you press the button to make it go. If you're not willing to put it in the time, energy and work in, then it doesn't matter how young you are. You'll be here and gone tomorrow if you don't learn something.
My parents are from a whole different culture. My parents are from small-town Louisiana. It's like, if it walk like a duck, talk like a duck, then it's a duck. And if you ain't quacking, you ain't no duck.
If it looks like a duck, walks like a duck and quack like a duck, then it just may be a duck.
I do want to learn the way to do it over here. I'm not really looking to just go about my way and do it in the Japanese way that I've been doing. Basically, I'll try to get some advice, learn the way it's done here and go about it.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
The only way to know everything is to learn how to think, how to ask questions, how to navigate the world. Students must learn how to teach themselves to use new tools, how to talk to unfamiliar people, and basically how to be brave.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
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