A Quote by Alan Tudyk

I don't get dressed up as the character to go audition. — © Alan Tudyk
I don't get dressed up as the character to go audition.
If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.
I don't get dressed up every day. I'm very busy. I get really annoyed when people talk about me as a 'fashionista.' I get dressed up when I have to go out. Most of the time, I'm running around in jeans.
I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
I love auditioning. Since “The Notebook” and “Wedding Crashers,” I don’t have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don’t audition. What if they hate what I want to do?
Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.
My agent wanted me to audition for Dumbledore's character after Richard Harris died. I was asked if I would like to audition for it. But I wouldn't audition for it.
I go through periods where I don't shop at all, and then I go crazy and buy everything in sight. I never know what to wear, and I'm at my worst before an audition. I pull everything out of the closet, throw it on my bed. I'll get entirely dressed and then take it all off again until I'm in a kind of frenzy.
Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
When you get out of school, you just go where the wind blows: Here's an audition; there's an audition. And before you know it, you're where you're supposed to be. And that was Second City.
Not only is there more content, but the producers are also focusing on characters rather than their ethnicities. I mean, when you go in for an audition, you get a character sketch, like 'a 35-year-old American male.' The ethnicity of that character is developed after casting the actor, and I think that's the most basic change that has happened.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
I went into the audition room with the mindset that 'Little Fires' was going to be my last audition. I put my all into it, but I didn't get my hopes up.
I never come out of drag to go anywhere. Everywhere I go I get all dressed up.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
I don't get up, get dressed, go out, and think, 'Okay, I gotta find eight jokes.'
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