A Quote by Alan Tudyk
It's just like they approach things on every movie I've worked on, very much as if it was a live-action movie. The character you're playing, even though he's a rooster and is really stupid, you approach it in the same way you would approach Hamlet, which is exactly how I approached it. But they give you the circumstances. "You're on the boat. You didn't expect to be here. You just climbed in a boat to maybe sleep. You don't even know why you climbed in the boat. You're really that dumb.
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If you have someone falling out of the boat, you'd have to drag the boat up the river and film the same scene ten times, every time, dragging the boat exactly where it was up the river.
I don't expect that the president-elect [Donald Trump] will follow exactly our blueprint or our approach, but my hope is that he does not simply take a real-politic approach and suggest that, you know, if we just cut some deals with Russia, even if it hurts people or even if it violates international norms, or even if it leaves smaller countries vulnerable or creates long-term problems in regions like Syria, that we just do whatever is convenient at the time.
I don't even have a small boat. I don't even have a toy boat in my bathtub. I don't have a biplane, I don't have anything. Those things are toys, and I don't need them to be happy.
If a man is crossing the river and an empty boat collides with his skiff, even though he is a bad tempered man he will not become very angry. But if he sees a man in the other boat he will scream and shout and curse at the man to steer clear. If you can empty your own boat crossing the river of the world, no one will oppose you, no one will seek to harm you. Thus is the perfect man - his boat is empty.
I had learned a little about writing from Soldier's Pay - how to approach language, words: not with seriousness so much as an essayist does, but with a kind of alert respect, as you approach dynamite; even with joy, as you approach women: perhaps with the same secretly unscrupulous intentions.
If you boat a lot, you're known as a boating enthusiast. I like to boat, but I just don't want to ever be referred to as a 'boating enthusiast'. I hope they call me 'a guy who likes to boat'.
I think I approach my choices much the way I approach the way I consume movies and TV and stuff. I like everything, and sometimes I'll feel like a horror movie, and sometimes I'll just feel like an episode of 'Hoarders.'
3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
Men are afraid to rock the boat in which they hope to drift safely through life's currents, when, actually, the boat is stuck on a sandbar. They would be better off to rock the boat and try to shake it loose.
I Still Approach A Scene As One Would Approach A Guitar Solo. You Don't Exactly Know How You're Going To Phrase This Or That. Which I Think Is Beautiful. That Idea Of Chance.
I worry that I'll go down to the dock, and that my ship will have already come and gone. I'll miss my boat." And we say, another boat, another boat, another boat. You have no idea how many boats are coming to your dock. It's a steady stream, and it doesn't matter how many of them you've missed.
I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.
I want to conquer the unknown. I really, really want to live on the water and captain my own boat. I have dreamed of going around the world on a boat.
I used to own an island in the Seychelles and had a big boat there and one day I came across some Somali pirates who were passing by on their way to re-provision their boat. They didn't even acknowledge me - which is unheard of among sailors - and it was like looking into the eyes of a black mamba.
Even after rowing in all these pieces, it's often hard to determine who will be selected because the decisive factor in seat racing is speed not margin. Boat X beats boat Y by two lengths over 1000 meters in a time of 2:54. After exchanging "Dave" from X to Y for "Scott," Boat X beats boat Y by one length in a time of 2:51. From the rower's perspective, the result is that Dave beats Scott by a length. But in Mike's eyes, Scott beats Dave because on the second piece, X was three seconds faster-even though it only beat Y by a length.
Even though I make documentaries, everyone's acting in a way. Really. And you're creating, and you're confabulating things. You can't relive reality, you can just present it. And that's what I do. I have worked with actors and I like it very much, so maybe. I think that would be wonderful to do something like that, as well.
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