A Quote by Alastair Wood
I thought my Beatles LPs sounded pretty good on a record player, but that was before I had heard a CD.
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The first time I actually heard any of the Beatles' music it was in a car. I think it was the, the B side of their first record. I think it was "I Want to ... I Want to Hold Your Hand". And it, it really sounded different to me. And it sounded a bit like trouble, like this is something new 'cause I very rarely paid any attention to what anyone else was doing.
I had no desire to become a singer until I heard Billie Holiday. The first time I heard her on a record, it was a revelation. She sounded like a woman singing about herself.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
When I heard Puerto Ricans in New York City, it sounded very strange. And the first time I heard someone from Spain, I thought they had a speech impediment!
My whole relationship with Bowie started when I was 13, and I bought a copy of 'Aladdin Sane' when I didn't have a record player. I had this record for a year before I could play it, and it was the image - not the sound - that I was attracted to. I just saw this image and thought he was my cousin.
We had a wind-up gramophone long before I came along, and it moved on to a Dansette record player. That's how I heard the records as I grew up.
When Elvis sang, it almost sounded like he was whispering. But after you heard the record, his voice was the strongest thing you ever heard. He was incredible.
When I was a tiny tot, we only had one record player in the house, so there was either Genesis on it or the Jungle Book or The Beatles as well, and various other things.
We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.
You have to think, when I was growing up Internet was a thing but no one had it. We didn't have it at the house, so music was not accessible at your fingertips. Whatever you had in your CD player was what you had, and a CD was $15.99 and if you weren't 18 years old, it couldn't have any cuss words on it. Now it is so accessible.
From a very young age, music was very much in my house. I would sit with my mom, with the old LPs, listening to The Beatles and Carly Simon and Lionel Richie. The old LPs used to have the lyrics. From there, I would put on dance and music displays for my family, just to entertain them and make people laugh and smile.
I don't know whether it was his (Charlie Christian's) melodic lines, his sound or his approach, but I hadn't heard anything like that before. He sounded so good and it sounded so easy, so I bought me a guitar and an amplifier and said now I can't do nothing but play! Really, welding was my talent, I think, but I sort of swished it aside.
Since 'Houston Kid,' I've got a pretty good track record. Before that, I wrote some hit songs, but I didn't come into my own until I was about fifty. Before that, I had bursts of talent.
My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.
