A Quote by Albert Brooks

There've been a few mother-daughter movies that are somewhat realistic. But the mother-son movies are more comical than realistic: 'Throw Momma from the Train,' 'Stop! or My Mom Will Shoot.' You don't sit in the dark and go, 'Oh my God, that's my mother.'
A lot of times, when mother-son or mother-daughter relationships have been put on screen, they tend to trickle towards ugly, and I don't find that totally realistic for the wide swath of us, and it's also not that fun to watch.
A lot of times, when mother-son or mother-daughter relationships have been put on screen, they tend to trickle towards ugly, and I don't find that totally realistic for the wide swath of us and it's also not that fun to watch.
There's no more important bonding thing than a mother doing the daughter's hair. We sit at our mother's knee and learn who we are.
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
You have to be realistic in the use of blood in the movies. There is a little bit more than a gallon in a human being. If you have a few thousand people, that makes a lot of blood. I'm very realistic in my use of blood.
I have chosen my own title for my name and it will be that of my mother. I will henceforth be called Kanmani Raghava Lawrence in my forthcoming movies! Nothing can bring me more happiness than my mother's name. No title can be equal to this!
I barely saw my mother, and the mom I saw was often angry and unhappy. The mother I grew up with is not the mother I know now. It's not the mother she became after my father died, and that's been the greatest prize of my life.
I didn't want the children to grow up and, when asked what their mother did, say, 'Oh, Mom's a gun moll in the movies.'
She was like a mother to me...and I betrayed as a daughter will betray her mother and yet, never stop loving her.
My mother has never been involved in my professional life. I am very close to my mother but we keep it on a mother-daughter basis and not a work-related basis.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
The tie is stronger than that between father and son and father and daughter. The bond is also more complex than the one between mother and daughter. For a woman, a son offers the best chance to know the mysterious male existence.
My mother always wanted to be an actress. She was an extra in movies and stuff. I have a feeling this is the classic story: The mother wants to be an actress, and the child ends up doing it. But it was never a jealousy thing between us. It was like - well, I was making my mom happy.
The earth is at the same time mother, She is mother of all that is natural, mother of all that is human. She is mother of all, for contained in her are the seeds of all. The earth of human kind contains all moistness, all verdancy, all germinating power. It is in so many ways fruitful. All creation comes from it. Yet it forms not only the basic raw material for humankind, but also the substance of the incarnation of God's son.
There is no theoretical study of motherhood. You know, before I became a mother, I did play a mother, but I was like - I was more thinking of my own mother. I was doing my mother.
The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother--both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child's history is never finished.
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