A Quote by Alejandra Deheza
I wanted to protect the songs. I wanted to make sure I could write freely and not be self-conscious about it.
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I was clear that I wanted to do music and I wanted to write songs. But I wasn't clear about how I was going to make that happen. I wrote loads of songs but didn't want to show them to anyone.
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
I didn't really want anyone to know that I wanted to write music or make songs because, in a way, I didn't necessarily know if I wanted to do it for a profession. I wanted to do it to express myself.
I wanted to protect him, which I was sure I could do, even if I could not protect myself.
I do write nice songs about the guys who are nice to me! Eventually, I'm sure one of them will write a response - that's a pretty scary concept, actually! But I make sure I only write bad songs about the ones who deserve it.
For a long time, I didn't think I wanted to live in the Ozarks or write about the region. It seemed to be a sure recipe for obscurity, and to be obscure was not my conscious ambition.
I think going away and disappearing for a couple of years - or a few years, or whatever - definitely changed the way I look at songwriting. It made me feel more free, it made me feel more like I could just write what I wanted to write about. I wanted to write more observational songs.
I wanted to be a singer. I wanted to be a musician. I wanted to travel and write songs and be a good songwriter. It came to me slowly after college.
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
I always wanted praise and I always wanted attention; I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
I wanted to perform, I wanted to write songs, and I wanted to get lots of chicks.
I was the kind of person who knew what he wanted to do; I wanted to write, I wanted not to be in school, and I felt that university would just be spending another four years of my life before I could write.
I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.
I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
I could be an alternative comic. I could be that really dark - I was - I was a very dark comic to begin with. I could be that guy, and the only reason I didn't is that I wanted to make money. I wanted to be popular. I wanted to be liked more than I wanted to be admired.
