A Quote by Alejandro Gonzalez Inarritu

The problem with the screenplay is that it's not literature, and it's not a film. It's a very weird, technical kind of blueprint that will be absolutely transformed into something else that is not that, you know? Honestly, a screenplay is no literature.
A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.
We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.
Right when I moved to L.A., I started writing. I wrote some screenplay. I'm sure it's terrible. But I wrote a screenplay by myself. When I first moved to L.A., I had no friends. I didn't know anybody. I just sat in a little studio apartment, and I wrote a screenplay.
A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
Considering that "literary fiction" is a sub-genre that's not quite the same as "literature," either, it follows that the short, semi-humorous bits posted online for all to see are something absolutely other, uniquely themselves compared to canonical short stories, for example, and so it'd probably be best to call it something other than "online lit" since I honestly think very little of it can compare to so-called "literature."
I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
All my films I have shot in chronological order - always. And the reason is that there's a moment that the screenplay is the notion of the film. But when you start doing a film... the work itself starts being transformed, and you have to surrender.
A movie is painting, it's photography, it's literature - because you have to have the screenplay - it's music. Put a different soundtrack to a comedy and it's a tragedy.
'Housefull' is not a 'leave your brains behind' kind of a film. It has a very intelligent screenplay.
If I get lucky and I can choose, I would always choose a really good story and screenplay, even if I don't know the director. If there's a good screenplay, there's a chance that something good is going to happen.
Once I got into college, I discovered literature - in particular, multicultural literature. I just started to understand the power of story and narrative, and you know, like anyone else, I kind of wanted to do it, too.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
It seems to me that literature is giving way a little bit to the immediacy of other diversions, other forms of entertainment. What will it be in fifty years? I don't know. Will there be printed books? Probably, but I'm not sure. There's always going to be literature, though. I believe that. I think literature has a way of getting deep into people and being essential. Literature has its own powers.
I had gone to the bookstore, and while I hadn't bought any books on how to write a screenplay, I'd bought a couple of scripts so I could see how the formatting works. I just needed to know how a Hollywood screenplay looked on the page, which was something I was totally unfamiliar with.
When I write a screenplay - and I think this is true for a lot of people - you direct the movie. That's what writing a screenplay is.
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