A Quote by Alejandro Gonzalez Inarritu
'Amores Perros' is rock, '21 Grams' is jazz, 'Babel' is an opera, and 'Biutiful' is a requiem.
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'Amores Perros' is three stories that interconnect in one moment, which is the car accident.
Amores Perros" and "Once Were Warriors" had a tremendous visceral quality that really influenced me.
'Birdman' is a very risky movie. I knew I wanted to do it just from watching Alejandro's other work. I told a friend, 'I would have done it based on 'Amores Perros' alone.'
When a director shifts gears as often as does Alejandro Gonzalez Inarritu, the man behind the emotionally rich debut film 'Amores Perros,' you may wonder if he knows what he wants.
In Mexico, there are good filmmakers, but they didn't always have the opportunity to show their work. But since 'Amores Perros,' many of these filmmakers had the opportunity to show their films, and they have a newfound energy for cinema.
In order to do 'Amores Perros,' I had to skip some time at drama school, so the director Alejandro Gonzalez Inarritu came up with a great Latin American solution, which was to say I had a tropical disease and had to stay in Mexico for a while. Everyone believed me.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
The official toxicity limit for humans is between one and one and half grams of cocaine depending on body weight. I was averaging five grams a day, maybe more. I snorted ten grams in ten minutes once. I guess I had a high tolerance.
I don't limit my taste. There's some jazz that I like and there's some opera. I've been listening to what was essentially country music, but it crossed over to rock.
I eat 230 grams of protein daily, 308 grams of carbohydrates, maybe 70 grams of fat. I can have one cheat meal a week but it can't be that I eat until I'm stuffed; I eat until I'm satisfied.
My mother was into opera and my father was into jazz, so there was a lot of jazz in the house where I grew up.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
'21 Grams' is only one story told by three different points of view, but they are really physically connected - literally, with the heart.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
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