A Quote by Alejandro Gonzalez Inarritu
The way films establish the order of scenes is very artificial.
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Poor speakers create an artificial divide between themselves and the audience. They feel they need to do this in order to establish their own credibility.
Artificial manures lead inevitably to artificial nutrition, artificial food, artificial animals and finally to artificial men and women.
How could liberty ever establish itself amongst us? Apart from a few tragic scenes, the revolution has been nothing but a web of farcical scenes.
Power is not a means, it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship.
I find that most of my scripts have a lot more scenes than most films, so the average movie might have 100 scenes, my average script has 300 scenes.
When I met Akira Kurosawa in Japan, one question he asked me was, "How did you actually make the children act the way they do? I do have children in my films but I find that I reduce and reduce their presence until I have to get rid of them because there's no way that I can direct them." My own thought is that one is very grand, like an emperor on a horse, and it's very hard for a child to relate to that. In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them.
One does not establish a dictatorship in order to safeguard a revolution; one makes a revolution in order to establish a dictatorship.
But if we establish the working hypothesis that the UFOs are machines, we also have to assume the following:
a) They are not built by human beings..
b) They are flying by means of artificial fields of gravity..
c) They produce high-tension electric charges in order to push the air out of their paths, so it does not start glowing, and strong magnetic fields to influence the ionized air at higher altitudes.
It is a good thing to proceed in order and to establish propositions. This is the way to gain ground and to progress with certainty.
I think whatever nation or whoever develops one artificial intelligence will probably make it so that artificial intelligence always stays ahead of any other developing artificial intelligence at any other point in time. It might even do things like send viruses to a second artificial intelligence, just so it can wipe it out, to protect its grounds. It's gonna be very similar to national politics.
Obviously, you never shoot the scenes of a film in order or only very rarely.
There are some scenes that you have to lose in order to win something at the end. A good director will keep pointing you that way, but it is also your job as an actor to understand that there are scenes that you do, particularly when you are the lead, where other people get to come in and steal and you have to let them. I understand that but a good director always reminds you where those moments are.
What I remember myself from films, and what I love about films, is specific scenes and characters.
I'm coming from an artistic background, from Europe, making films with Lars Van Trier like 'Breaking the Waves,' 'Dancer in the Dark,' all his films, 'The Kingdom.' But I like both, I like the totally artificial, commercial films where the actor has five or six bodyguards, I like that.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.
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