A Quote by Alejandro Gonzalez Inarritu
I studied for three years in the theater, and it was a very, very scary experience to direct live, being so vulnerable without the possibility to control things, to be so exposed.
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I have never directed anything for the stage. I studied for three years in the theater, and it was a very, very scary experience to direct live, being so vulnerable without the possibility to control things, to be so exposed.
The stuff I write about is pretty universal, the things my closest friends and I talk about - our anxiety about being here on this scary planet, during these scary times, as vulnerable as kittens, having lost so many people I couldn't live without.
I've studied theater since high school. Of course, it's a different story altogether being on Broadway, but it's still theater, and you have to be in front of a live audience, and that's very exciting. It's something I've definitely wanted to do, but I got involved in movies and television, and then it became a luxury to get back on the stage.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
It's hard to give up that amount of control. It's scary to make yourself that vulnerable. Because you might do all kinds of things that are unplanned or are unexpected that maybe don't work, and you have to trust the director to see that and work around those things. I find it really scary.
Your generation and mine have had very little real experience; we've been severed from the direct experience of war by some very good things. By the end of the draft, and by the defeat in Vietnam.
When I was in New York after I left the Army, I studied for two years at the American Theater Wing, studied acting, which involved dance and fencing and speech classes and history of theater, all that.
To be a good human being is to have a kind of openness to the world, an ability to trust uncertain things beyond your own control, that can lead you to be shattered in very extreme circumstances for which you were not to blame. That says something very important about the condition of the ethical life: that it is based on a trust in the uncertain and on a willingness to be exposed; it’s based on being more like a plant than like a jewel, something rather fragile, but whose very particular beauty is inseparable from that fragility.
It's scary but as an actress it is my job to be vulnerable, so I try to just embrace it and focus on the things I can control.
I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.
I had studied theater for three years in London when someone suggested me for the role.
I know that actors and actresses have a great reputation for being very, very selfish, and in some cases, that's very true. But in the theater I find it doesn't help you to be selfish. You sort of have to be selfless in the theater, and the more selfless you are - that doesn't mean don't take care of yourself - but the more you sort of surrender to the work, I find, the better the work is. That's just my experience.
I've studied authoritarianism for a very long time - for 40 years - and they're started by people's attempts to control the ideological and linguistic territory.
Being tall when I was youngerl I was always a bit awkward. As a teenager, I was very, very thin, so I was very gangly and limby, and would sweep things off the table without realising how big my wingspan was - just out of control. A lot of women write to me and say, 'I'm six foot and exactly the same happens' - that's been lovely therapy.
That's what people forget about, is that when things are very, very powerful in a sad way, they have that possibility of also being over-the-top, hysterically funny.
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