A Quote by Alejandro Gonzalez Inarritu
I learned with 'Birdman' that it's liberating when you just lose yourself and go after something that terrifies you.
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I learned with 'Birdman' that it's liberating when you just lose yourself and go after something that terrifies you. The experience was so good.
If you're going to do something in your life do it 100%. Don't question it just go after it. If you don't believe in it or you're not honest with yourself it's not going to work and that's just something that I learned over the years.
I learned first of all not to be intimidated by any visual effects that I don't understand. It can all be learned. You can then use them as tools to tell your story. I also learned that you have to be really vigilant, the more complex the movie, to not lose yourself and to not lose sight of the priority.
I learned very quickly that if you just go out and make something and maybe fail at it or you just learn how to edit it yourself. I edited my last films. You just do it yourself. You feel so creatively empowered and you're controlling your own destiny as artists.
I don't plan on ever letting my daughters date. I'm going to try to do everything I can to prevent it. You know, it just terrifies me. It just terrifies me.
When you do something just because it is needed, you involve yourself totally without it meaning anything to you, then action becomes liberating.
You can tell yourself that you would be willing to lose everything you have in order to get something you want. But it's a catch-22: all of those things you're willing to lose are what make you recognizable. Lose them, and you've lost yourself.
Today, everybody is always rushing. Designers have to make collections one after the other. Actresses have to make movies one after the other. They have to do all that in order to still be there - to still be out there. So to step away and be absent and to lose yourself completely and to really come back and find yourself again - that's something quite rare.
To me there is in happiness an element of self-forgetfulness. You lose yourself in something outside yourself when you are happy; just as when you are desperately miserable you are intensely conscious of yourself, are a solid little lump of ego weighing a ton.
It's great to go on your own and discover new things just for yourself, to meet new people and all that. If you're all on your own, then there is nobody there to guide you and you have to make all the decisions for yourself. It's quite liberating in a way.
I have learned to create from a hybridized point of view. It's an asset - something rather liberating.
It would be better if you began to teach others only after you yourself have learned something.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
You go from being with the guys all the time in the locker room, in practice, having a militarized brain in terms of this schedule, and then, all of a sudden, you are on your own. You lose a sense of purpose; you lose a sense of yourself. And you lose confidence. You find yourself saying, 'I was the best at this, and now I'm not the best.'
Grand Slam losses are hard. I treat myself after losses though, I usually go to McDonald's and I have a hamburger and you know, something. Because you know, you just need to be nice to yourself sometimes after the loss.
Many a play is like a painted backdrop, something to be looked at from the front. An Ibsen play is like a black forest, somethingyou can enter, something you can walk about in. There you can lose yourself: you can lose yourself. And once inside, you find such wonderful glades, such beautiful, sunlit places.
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