A Quote by Alejandro Gonzalez Inarritu
Actors are exposed in a way that nobody else can understand. They are subject to the likes and dislikes of people their entire life, no matter how successful they are. At the same time, in order to be liked, you have to not be yourself. So it's a very complicated human exercise - an alchemy that I have never understood.
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I am a successful lecturer in physics for popular audiences. The real entertainment gimmick is the excitement, drama and mystery of the subject matter. People love to learn something, they are 'entertained' enormously by being allowed to understand a little bit of something they never understood before. One must have faith in the subject and in people's interest in it.
You have to know the human condition to get that many people to all respond at the same time to the same subject. You gotta understand humanity in order to portray it.
Never have anything to do with likes and dislikes. The absence of what one likes is painful, as is the presence of what one dislikes. Therefore don't take a liking to anything. To lose what one likes is hard, but there are no bonds for those who have no likes and dislikes. From preference arises sorrow, from preference arises fear, but he who is freed from preference has no sorrow and certainly no fear.
Love yourself. Nobody's perfect. I mean, come on, nobody is perfect. Not you, not your mom, even the people on TV - nobody is perfect, and there's always something that nobody likes, but you know, you just accept that. Your imperfections make you beautiful. It's those things you find you don't like that someone else finds very special and very unique about you.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
I felt ugly, chubby, and stupid until I talked to my mom about it and she had me do a very good exercise that I recommend to every girl. She had me take a piece of paper and write down everything I liked and everything that I didn't like about my body and my life. By the end of the exercise, I realized that I had so many more things in my likes column. It showed me that while there are a few things in my dislikes column, I was giving ALL my attention to those few things!
I cannot draw a human figure if I don't know the order of his bones, muscles or tendons. Same is that I cannot draw a human face if I don't know what's going on his mind and heart. In order to paint life one must understand not only anatomy, but what people feel and think about the world they live in. The painter who knows his own craft and nothing else will turn out to be a very superficial artist.
Well, I believe that life is very complicated. And in a way, the only way you can show life in a truthful way is to show how complicated it is as an individual, but also your relation between a complicated life and the complications you have inside you.
There is no neatness in any life- great or small. It is only an illusion men foolishly pursue.
All lived lives are a mess.
The neatness in my life had begun to crumble some time before, but now it disintegrated completely as I vanished into a world of endlessly opening doors, teasing riddles and lives without boundaries.
For the first time I began to understand how shallow neatness is.
How cramping, how limiting.
For the first time I understood neat lives are comatose lives. (the Alchemy of Desire 304)
I couldn't understand her [my mother's] wiring, all the time. I couldn't understand how she denied herself pleasure and enjoyment in life. As my career got successful and I wanted to do things for her, she wasn't able to allow them because she just didn't work that way. It was always that. It wasn't necessarily ugly, just complicated.
Never explain yourself to anyone, because the one who likes you would not need it, and the one dislikes you wouldn't believe it.
The men couldn't understand how I could be so successful and so insecure at the same time - because it doesn't really exist in the same way in the male psyche.
It is through you, actors, that the forces which are understood by millions and that tell of everything that is beautiful on earth, find expression. The forces which reveal to people the happiness of living in a widened consciousness and in the joy of creative work for the whole world. You, the actors of a theatre, which is one of the centres of human culture, will never be understood by the people if you are unable to reflect the spiritual needs of your time, the now in which you are living.
I think it was Alfred Hitchcock who said 90 percent of successful moviemaking is in the casting. The same is true in life. Who you are exposed to, who you choose to surround yourself with, is a unique variable in all of our experiences and it is hugely important in making us who we are. Seek out interesting characters, tough adversaries and strong mentors and your life can be rich, textured, highly entertaining and successful, like a Best Picture winner. Surround yourself with dullards, people of vanilla safety and unextraordinary ease, and you may find your life going straight to DVD.
When you understand yourself, that very day you have understood the whole of humanity. Then nobody can make you miserable.
I try to ?nd clues in the documented record - from the subject's own testimony, from the testimony of other people. When you're writing a biography, you're trying to understand your subject in the same way that you try to understand one of your friends, and that effort at understanding is always very imperfect.
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