A Quote by Alejandro Gonzalez Inarritu

That incredible bubble and high expectations built at festivals can work against a film. — © Alejandro Gonzalez Inarritu
That incredible bubble and high expectations built at festivals can work against a film.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
It's not a big deal to send a film to the festivals, but yes, winning an award is huge. When you send a film at festivals, people talk about you and your work, and one gets great exposure.
Basically, actors arrive in a bubble. They have a little sealed bubble around them and it's basically [comprised of] their agents, their last film, their next film, their press agent, and their per diems - all these things, they cocoon themselves with and you have to puncture that bubble on each of them to make them be in your film.
Don't you know that there's another bubble as well An expectations bubble. Bigger houses private planes yachts ...... stupid salaries and bonuses. People come to desire these things and expect them. But the expectations bubble will burst as well as all bubbles do. Come to my gallery and I will sell you beautiful things at a more reasonable price. But the point is that they will have value. Things of real beauty things of the spirit.
As far as expectations go, you can never work for expectations. You have to work against them.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
I think your expectations as a player are always high. No matter how high the expectations are from the outside, from media, from fans, wherever, you hold yourself to a high standard and understand what you are capable of.
I used to hold Stanley Kubrick film festivals at my house in high school. These are not cool things.
It's hard to see a film one time and really "get it," and write fully and intelligently about it. That's a review. That's not film criticism. And there's so many expectations involved, too. You're going in to see the latest Martin Scorsese or Stanley Kubrick film, you really have high hopes, and you can't help but find that it's not exactly what you had in your head going in. Until you can watch it again, you can't accept the work for what it intends to be. It takes at least a second viewing.
As a runner on a film, you are the lowest of the low, and yet you have incredible access to everyone. I can totally imagine that for actors in the middle of a Hollywood bubble, all they really want is a sense of normality, and that gopher can be a tap for that.
The expectations are high, so we know: If we do not meet them, there is criticism. We have high expectations ourselves. We are not happy with fourth, third, or second, either.
We have had some great shows this summer, the Jammin Against the Darkness event was pretty incredible and it was good to see everyone at the festivals. Today we head to South Dakota for the start of the tour with Falling Up, The Wedding and Mainstay.
I think sometimes you have high expectations for people because you have high expectations for yourself.
After you free yourself from the incredible expectations of love through the media from the time you were so high, you realise that it's the spaces between the notes that make music.
Coach Morris wasn't too hard on me, not at all. Being drafted where I was at, there were high expectations for me. I still have high expectations for myself.
After that really, I spent the majority of the spring going to tons and tons of regional festivals throughout America. Every corner of the country, I took the movie to twenty film festivals or something to that extent. I've lost track. Probably done Q&As 40-50 times at this point. It's always hard to watch something I've made, but I've got a little more objectivity and kind of see the film as not just an extension of myself.
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