A Quote by Alejandro Gonzalez Inarritu
I leave the story room to grow into what the movie is driving me to do.
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It got to the point where I sat on the side of the bed in a hotel room in London in early-1990 and said to whoever or whatever: 'If you are there will you please contact or leave me because you are driving me up the wall.'
What should be driving the conversation is: What's the story? What's the movie about? Is it a compelling story? And if it is, then you make it regardless of the color of the people behind or in front of the camera.
Big hooks have always been a part of American movie-making. So, to make a movie where you're just driving story through the characters without a high-concept is a challenge.
You do what you can. You have to leave room to grow and make mistakes.
I need to tell a story. It's an obsession. Each story is a seed inside of me that starts to grow and grow, like a tumor, and I have to deal with it sooner or later.
[Leonardo DiCaprio] invited me into his dressing room, and then we went into his hotel room where we stayed. We shared caramel popcorn. I think that was the coolest thing, sharing popcorn with this movie star. And then we wrestled! I always share that story with people.
I'm not sure if my story will become a movie. Some of my western friends sent my story to people they know in the movie industry. But one consistent response was there aren't any main western characters in my story, so it's unlikely to be made into a movie in English.
It doesn't occur to me that I don't drive a cool car until I hang out with Jon Hamm, who picks me up in what looks like a Transformer, and I think, 'Oh, that's what movie stars are driving. I guess I'm not a movie star.'
Without somehow destroying me in the process, how could God reveal himself in a way that would leave no room for doubt? If there were no room for doubt, there would be no room for me.
People believe that there's no room for change, there's no room to grow and if we're talking about this idea of God which is the infinite then there's no way that there's no room to grow because infinity is endless. So there must be more room to understand more and to evolve the way we think about this idea.
If anyone has to leave their homeland by boat, they all have difficult stories. But my parents had a difficult journey, and their story always seems like a movie to me.
If you leave me in a room long enough, I'll redecorate the room.
Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
Movies get found in the editing room. The movie that you make is not always necessarily the movie that comes out of the editing room. The trick is to perfect the movie that you have and make it the best version of what you've shot, regardless of what the intent may have been.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
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